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The Art of Art History : A Critical Anthology

The Art of Art History : A Critical Anthology

A Critical Anthology

  • Author: Donald Preziosi
  • Publisher: Oxford University Press, UK
  • ISBN: 019155202X
  • Category: Art
  • Page: 608
  • View: 2628
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What is art history? Why, how, and where did it originate, and how have its aims and methods changed over time? This anthology is a guide to understanding art history through a critical reading of the field's key texts over the past two centuries. Each section focuses on a major issue: aesthetics, style, history as an art, iconography and semiology, modernity and post-modernity, gender, deconstruction, and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofksy, Nanette Salomon, and Mary Kelly are brought together, and Donald Preziosi's introductions to each topic provide background information and to elucidation of the critical issues at stake. His own concluding essay is an important and original contribution to scholarship in the field. `vivid and inspiring prose ... a flamboyant book that offers anything but a celebratory reading of art history ... Preziosi frames his selection of texts, and threads through them with an array of different strategic voices' Professor Johanne Lamoureux, University of Montreal - ;What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through a critical reading of the field's most innovative and influential texts over the past two centuries. Each section focuses on a key issue: aesthetics, style, history as an art, iconography and semiology, gender, modernity and postmodernity, deconstruction and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofsky, Heidegger, Lisa Tickner, Meyer Schapiro, Jacques Derrida, Mary Kelly, Michel Foucault, Rosalind Krauss, Louis Marin, Margaret Iversen and Nestor Canclini are brought together, and Donald Preziosi's introductions to each topic provide background information, bibliographies, and critical elucidations of the issues at stake. His own concluding essay is an important and original contribution to scholarship in the field. From the pre-publication reviews: 'Until now, anthologies about the history of art have tended to be worthy yet inert, plotting a linear evolution from the great precursors (Vasari, Winckelmann) to the founding fathers of the modern discipline (W--ouml--;lfflin, Riegl, Panofsky) to the achievements and refinements of today's scholarship. The texts that Donald Preziosi has brought together provide something far more challenging: the juxtapositions and alignments between individual essays point the reader towards unresolved problems, ongoing debates, and paths not takenor not taken yet. In place of the consoling tale of intellectual progress, the collection defamiliarizes the whole field, and opens up a space for radical reflection on its basic procedures and assumptions. Definitely the best introduction to art history currently available.' Professor Norman Bryson, Harvard University 'Donald Preziosi has prepared an anthologyfrom the Greek, a collection of flowersof art history. His bouquet contains representatives from the discipline's two-hundred year history, arranged in standard and innovative methodological categories. Within each, the readings selected provide stimulating congruencies and contradictions that will inspire productive debate and contemplation. But what makes this anthology more than an arresting assemblage is the author's critical stance toward what he has wrought. His introduction and concluding chapter write around and under the subjects presented, emphasizing the 'art' of art history, its kinship with modernity's post-Enlightenment project, and its collaboration with the rise of nationalism. Thus the discipline's past is probed and questioned and made relevant for its present and future. The whole thereby addresses, without healing or concealing, the disciplinary ruptures of modernism. The book might also have explored further nature of art history's history within the emergent discourse of post-colonialism and the globalization of culture Yet the many new perspectives it does offer help to re-present the discipline for its readers, students, teachers, and curators, for other areas of humanistic inquiry, which are being subject to similar critiques, and for artists and the larger art community, for whom history, narrative, and an accounting of art's past have once again become vital issues' Professor Robert S. Nelson, Professor of Art History and Chair, Committee for the History of Culture, University of Chicago 'Rather than focusing on its Vasarian moment or on the later academic institutionalization of art history in the 19th and 20th centuries, Donald Preziosi, in The Art of Art History, constructs a reading of this hegemonic and reductive practice of making 'the visible legible' as one that is inextricably tied to the museographic paradigm of late 18th and early 19th centuries. This shift, he sees as equivalent in importance to the brought by the 'invention' of perspective. But the author goes further than to underline the implication of art history with the premises of modernity, he makes a strong case, in a vivid and inspiring prose, for a tighter equation between art history and modernity: an equation grounded in his insightful considerations (and meteoric formulations) of the epistemological setting, rhetorical operations political (colonialist) aims and schizophrenic yet all-invasive aestheticization of knowledge that, in the last two centuries, have fashioned what we will no longer dare to call the discipline of art history. The result is a flamboyant book that offers anything but a celebratory reading of art history. It does not constitute an articulation of canonical texts or an up-to-date menu of art historical currents, methods, or trends. Yet it manages to avoid none of these dimensions. Art history is not envisages as the learned discourse of modernity on a specific class of objects nor is it reduced to a genealogy of outstanding artist-subjects and their volatile constellations of contemporary subjects-readers. It becomes a practice wherein objects and subjects relate and relations often crystallize, under the unrecognized aegis of the fetish, this Other of art, since Preziosi concisely defines art as 'the anti-fetish fetish'. Far from the fantastic neutrality that is traditionally found in the format of such an historiographic endeavour, Preziosi frames his selection of text and threads through them with an array of different strategic voices, superimposed (to stress a spatial figure he is keen to discern) in order to elaborate a strong polemic position that situates art history as an enduring and well disguised fictional genre. In the process, the author courageously takes on the paradox that is at the core of his project: to introduce students to the coming out o art history... as art, one that is not necessarily meant to be our coming out of it but that certainly well establishes our motives to continue to shake its grounds and its multi-storied apparatus.' Professor Johanne Lamoureux, University of Montreal. -

A History of the Supreme Court

A History of the Supreme Court

  • Author: Bernard Schwartz
  • Publisher: Oxford University Press
  • ISBN: 9780195093872
  • Category: History
  • Page: 465
  • View: 5528
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A comprehensive history of the United States Supreme Court from its ill-esteemed beginning in 1790 to one of the most important and controversial branches of the Federal government.

The Oxford Handbook of Modern African History

The Oxford Handbook of Modern African History

  • Author: John Parker,Richard Reid
  • Publisher: OUP Oxford
  • ISBN: 0191667552
  • Category: History
  • Page: 560
  • View: 6207
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The Oxford Handbook of Modern African History represents an invaluable tool for historians and others in the field of African studies. This collection of essays, produced by some of the finest scholars currently working in the field, provides the latest insights into, and interpretations of, the history of Africa - a continent with a rich and complex past. An understanding of this past is essential to gain perspective on Africa's current challenges, and this accessible and comprehensive volume will allow readers to explore various aspects - political, economic, social, and cultural - of the continent's history over the last two hundred years. Since African history first emerged as a serious academic endeavour in the 1950s and 1960s, it has undergone numerous shifts in terms of emphasis and approach, changes brought about by political and economic exigencies and by ideological debates. This multi-faceted Handbook is essential reading for anyone with an interest in those debates, and in Africa and its peoples. While the focus is determinedly historical, anthropology, geography, literary criticism, political science and sociology are all employed in this ground-breaking study of Africa's past.

Available Means

Available Means

An Anthology Of Women'S Rhetoric(s)

  • Author: Joy Ritchie,Kate Ronald
  • Publisher: University of Pittsburgh Press
  • ISBN: 0822979756
  • Category: Language Arts & Disciplines
  • Page: 560
  • View: 5911
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“I say that even later someone will remember us.”—Sappho, Fragment 147, sixth century, BC Sappho’s prediction came true; fragments of work by the earliest woman writer in Western literate history have in fact survived into the twenty-first century. But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them. Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe, Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric? How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.

Who's Afraid of Modern Art?

Who's Afraid of Modern Art?

Essays on Modern Art and Theology in Conversation

  • Author: Daniel A. Siedell
  • Publisher: Wipf and Stock Publishers
  • ISBN: 1630877913
  • Category: Religion
  • Page: 178
  • View: 3562
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Modern art can be confusing and intimidating--even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O'Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator. Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye. So, who's afraid of modern art? Siedell's answer might surprise you.

The Oxford Book of Science Fiction Stories

The Oxford Book of Science Fiction Stories

  • Author: Tom Shippey
  • Publisher: Oxford University Press, USA
  • ISBN: 9780192803818
  • Category: Fiction
  • Page: 587
  • View: 2377
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A collection of classic science fiction short stories features tales by H. G. Wells, Arthur C. Clark, Frederik Pohl, Clifford Simak, Brian Aldiss, Ursala K. LeGuin, and many others. Edited by the author of The Road to Middle-Earth. 20,000 first printing.

The Oxford Book of Irish Short Stories

The Oxford Book of Irish Short Stories

  • Author: William Trevor
  • Publisher: OUP Oxford
  • ISBN: 9780199583140
  • Category: Fiction
  • Page: 592
  • View: 6843
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Ireland has always been a nation of story-tellers. This magnificent anthology chronicles the development of a rich literary tradition, from the earliest folk-tales to James Joyce, Liam O'Flaherty, and the rising stars of the new generation.

The Oxford Book of American Short Stories

The Oxford Book of American Short Stories

  • Author: Joyce Carol Oates
  • Publisher: Oxford University Press, USA
  • ISBN: 0199744394
  • Category: Fiction
  • Page: 873
  • View: 323
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Presents a collection of fifty-nine familiar and unfamiliar stories by such writers as John Cheever, Ray Bradbury, Flannery O'Connor, Edmund White, and Richard Wright.

Art history and its methods

Art history and its methods

a critical anthology

  • Author: E. C. Fernie
  • Publisher: Phaidon Press
  • ISBN: N.A
  • Category: Art
  • Page: 384
  • View: 5405
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Approaches to the history of art are probably more varied - and more debated than in any other branch of history, and a study of different historicalpproaches is becoming an increasingly important component of many academicourses. This anthology of art-historical writings from the Renaissance tohe present day has a particular focus, for key texts have been chosen inhich the authors themselves reflects on the nature of their subject and onheir own methods of inquiry. Included are texts by Vasari, Winckelmann,urckhardt, Wolfflin, Panofsky, Gombrich and Pollock, among others. Thentroduction gives a summary of art-historical methods, and each of the textss accompanied by a brief commentary which places it in context and discusseshe issues it raises. Also provided is a critical glossary of art-historicalerms, a brief biography of each of the historians, and a select bibliography.

A Room of One's Own (Annotated)

A Room of One's Own (Annotated)

  • Author: Virginia Woolf
  • Publisher: Houghton Mifflin Harcourt
  • ISBN: 0544535162
  • Category: Fiction
  • Page: 216
  • View: 310
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In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister: a sister equal to Shakespeare in talent, equal in genius, but whose legacy is radically different.This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. But if only she had found the means to create, urges Woolf, she would have reached the same heights as her immortal sibling. In this classic essay,Virginia Woolf takes on the establishment, using her gift of language to dissect the world around her and give a voice to those who have none. Her message is simple: A woman must have a fixed income and a room of her own in order to have the freedom to create. Annotated and with an introduction by Susan Gubar

The Art of the Personal Essay

The Art of the Personal Essay

An Anthology from the Classical Era to the Present

  • Author: Phillip Lopate
  • Publisher: Anchor
  • ISBN: 038542339X
  • Category: Literary Collections
  • Page: 777
  • View: 2014
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Bringing together many great reflections on the human condition and the peculiarities of daily life, a unique collection of more than seventy-five essays ranges from classical predecessors of the genre up to today's finest writers. Reprint.

The Art of performance

The Art of performance

a critical anthology

  • Author: Gregory Battcock,Robert Nickas
  • Publisher: Plume
  • ISBN: N.A
  • Category: Art
  • Page: 344
  • View: 7349
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Essays discuss the history of performance art, its theory and artists, and specific performances

Internationalizing the History of American Art

Internationalizing the History of American Art

Views

  • Author: Barbara Groseclose
  • Publisher: Penn State Press
  • ISBN: 0271046899
  • Category: Art
  • Page: 256
  • View: 6084
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"A collection of essays presenting international perspectives on the narratives and the practices grounding the scholarly study of American art"--Provided by publisher.

Occupational Outlook Handbook 2009

Occupational Outlook Handbook 2009

  • Author: U. S. Department of Labor
  • Publisher: Skyhorse Publishing Inc.
  • ISBN: 1602393206
  • Category: Business & Economics
  • Page: 890
  • View: 8880
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A directory for up-and-coming jobs in the near-future employment market includes recommendations for finding or advancing a career and draws on statistics from the U.S. Department of Labor, in a guide that includes coverage of more than 250 occupations. Original.

Akademie X

Akademie X

Lessons in Art + Life

  • Author: Marina Abramovic,Olafur Eliasson,Dan Graham,Studio Rags Media Collective
  • Publisher: Phaidon Press
  • ISBN: 9780714867366
  • Category: Art
  • Page: 352
  • View: 1356
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Assembled from the wisdom of 36 legendary art teachers – all of them artists or critics at the top of their field – Akademie X: Lessons in Art + Life is an ideal curriculum for the aspiring artist. Each of the book’s "tutors" has provided a unique lesson that aims to provoke, inspire and stimulate the aspiring artist. These lessons cover some combination of the following: technical advice (e.g. don’t make a sculpture bigger than your studio door), assignments (some of which will take five minutes to complete, others five years), tips for avoiding creative ruts (including suggestions for mind‐expanding materials to read, watch or listen to), principles of careful looking (demonstrated with images of artworks, photographs, films or even billboard advertisements), advice on the daily practice of art (how to balance time alone in the studio with building an artistic community), career pointers (how to prepare for a studio visit from a curator or gallerist) and personal anecdotes (e.g. stories from the instructor’s own humble beginnings). Taken together, these lessons offer the reader a set of tools for thinking, seeing and living as an artist. Not only is Akademie X: Lessons in Art + Life the first illustrated text book of its kind for artists, but it will also appeal to anyone interested in contemporary art, providing first hand revelations into the philosophies and techniques of some of the world’s best artists and writers.

Shakespeare

Shakespeare

  • Author: Mark Van Doren
  • Publisher: New York Review of Books
  • ISBN: 9781590171684
  • Category: Drama
  • Page: 302
  • View: 5845
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This legendary book by an esteemed poet and beloved professor at Columbia University features a series of smart, witty, deeply perceptive essays about each of Shakespeare's plays, together with a further discussion of the poems. Writing with an incomparable knowledge of his subject but without a hint of pedantry, Van Doren elucidates both the astonishing boldness and myriad subtleties of Shakespeare's protean art. His Shakespeare is a book to be treasured by both new and longtime students of the Bard.

Rethinking Art History

Rethinking Art History

Meditations on a Coy Science

  • Author: Donald Preziosi
  • Publisher: Yale University Press
  • ISBN: 9780300049831
  • Category: Art
  • Page: 269
  • View: 9787
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A general overview of the theoretical and institutional history of the discipline of art history. Refuting the image of art history as a discipline in crisis, Preziosi asserts that many of the dilemmas and contradictions of art history today are not new but can be traced back to problems surrounding the founding of the discipline, its institutionalization, and its academic expansion since the 1870s.

Coercion and Responsibility in Islam

Coercion and Responsibility in Islam

A Study in Ethics and Law

  • Author: Mairaj U. Syed
  • Publisher: Oxford University Press
  • ISBN: 0198788770
  • Category:
  • Page: 272
  • View: 6143
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In Coercion and Responsibility in Islam, Mairaj Syed explores how classical Muslim theologians and jurists from four intellectual traditions argue about the thorny issues that coercion raises about responsibility for one's action. This is done by assessing four ethical problems: whether the absence of coercion or compulsion is a condition for moral agency; how the law ought to define what is coercive; coercion's effect on the legal validity of speech acts; and its effects on moral and legal responsibility in the cases of rape and murder. Through a comparative and historical examination of these ethical problems, the book demonstrates the usefulness of a new model for analyzing ethical thought produced by intellectuals working within traditions in a competitive pluralistic environment. The book compares classical Muslim thought on coercion with that of modern Western thinkers on these issues and finds significant parallels between them. The finding suggests that a fruitful starting point for comparative ethical inquiry, especially inquiry aimed at the discovery of common ground for ethical action, may be found in an examination of how ethicists from different traditions considered concrete problems.

Negotiating the Past

Negotiating the Past

The Making of Memory in South Africa

  • Author: Sarah Nuttall,Carli Coetzee
  • Publisher: Oxford University Press, USA
  • ISBN: N.A
  • Category: History
  • Page: 300
  • View: 2661
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Nations as well as individuals are in many ways the sum of their memories, which are shaped by perception as much as by events. This collection of essays by South African academics looks at the ways the country is dealing with its past, a complex mixture of colonialism, slavery, apartheid, struggle, and guilt. The emphasis is on how that past is being perceived and moulded in the post-apartheid era.