Search Results for "the-journalist-in-british-fiction-and-film"

The Journalist in British Fiction and Film

The Journalist in British Fiction and Film

Guarding the Guardians from 1900 to the Present

  • Author: Sarah Lonsdale
  • Publisher: Bloomsbury Publishing
  • ISBN: 147422055X
  • Category: Literary Criticism
  • Page: 272
  • View: 7402
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Why did Edwardian novelists portray journalists as swashbuckling, truth-seeking super-heroes whereas post-WW2 depictions present the journalist as alienated outsider? Why are contemporary fictional journalists often deranged, murderous or intensely vulnerable? As newspaper journalism faces the double crisis of a lack of trust post-Leveson, and a lack of influence in the fragmented internet age, how do cultural producers view journalists and their role in society today? In The Journalist in British Fiction and Film Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film from the dawn of the mass popular press to the present day. The book asks first how journalists were represented in various distinct periods of the 20th century and then attempts to explain why these representations vary so widely. This is a history of the British press, told not by historians and sociologists, but by writers and directors as well as journalists themselves. In uncovering dozens of forgotten fictions, Sarah Lonsdale explores the bare-knuckled literary combat conducted by writers contesting the disputed boundaries between literature and journalism. Within these texts and films there is perhaps also a clue as to how the best aspects of 'Fourth estate' journalism can survive in the digital age. Authors covered in the volume include: Martin Amis, Graham Greene, George Orwell, Pat Barker, Evelyn Waugh, Elizabeth Bowen, Arnold Wesker and Rudyard Kipling. Television and films covered include House of Cards (US and UK versions), Spotlight, Defence of the Realm, Secret State and State of Play.

Espionage in British Fiction and Film since 1900

Espionage in British Fiction and Film since 1900

The Changing Enemy

  • Author: Oliver Buckton
  • Publisher: Lexington Books
  • ISBN: 1498504841
  • Category: Literary Criticism
  • Page: 364
  • View: 2179
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Espionage in British Fiction and Film Since 1900: The Changing Enemy explores the key role of the spy novel and film in twentieth and twenty-first century British culture, discussing their origins, literary and political significance, and central authors of the genre. This book examines the intimate connections between the fictional treatment of espionage and the historical developments of intelligence operations, an invaluable resource at linking the portrayal of espionage in both fiction and film to the changing geopolitical realities of the modern era.

Perceptions of the Press in Nineteenth-century British Periodicals

Perceptions of the Press in Nineteenth-century British Periodicals

A Bibliography

  • Author: E. M. Palmegiano
  • Publisher: Anthem Press
  • ISBN: 0857284398
  • Category: History
  • Page: 702
  • View: 2234
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Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. 'Horror and the Horror Film' conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres – such as the vampire movie – from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.

British Crime Film

British Crime Film

Subverting the Social Order

  • Author: Barry Forshaw
  • Publisher: Springer
  • ISBN: 1137005033
  • Category: Performing Arts
  • Page: 248
  • View: 5064
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A comprehensive social history of British crime film by the UK's principal expert on crime film and fiction Presenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.

Der stille Amerikaner

Der stille Amerikaner

Roman

  • Author: Graham Greene
  • Publisher: Paul Zsolnay Verlag
  • ISBN: 3552056629
  • Category: Fiction
  • Page: 256
  • View: 9435
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Thomas Fowler verfolgt das Kriegsgeschehen in Vietnam 1952 aus sicherer Distanz. Auf der Terrasse des berühmten Hotel Continental in Saigon lernt er den jungen Amerikaner Aldon Pyle kennen, der für eine medizinische Hilfsorganisation nach Asien gekommen ist. Fowler, der alternde Journalist, und Pyle verstehen sich gut, bis Pyle sich in dessen schöne Geliebte Phuong verliebt, die fortan zwischen den beiden Männern hin- und hergerissen ist. Als in Saigon Plastikbomben explodieren, schöpft Fowler den Verdacht, dass die Chemikalien, die Pyle ins Land schmuggelt, vielleicht doch nicht nur medizinischen Zwecken dienen. Greenes großer Roman über die wichtigen Fragen des Lebens in der neuen Übersetzung von Nikolaus Stingl.

Narrating Poverty and Precarity in Britain

Narrating Poverty and Precarity in Britain

  • Author: Barbara Korte,Frédéric Regard
  • Publisher: Walter de Gruyter GmbH & Co KG
  • ISBN: 311036574X
  • Category: Literary Criticism
  • Page: 240
  • View: 8211
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Poverty and precarity have gained a new societal and political presence in the twenty-first century's advanced economies. This is reflected in cultural production, which this book discusses for a wide range of media and genres from the novel to reality television. With a focus on Britain, its chapters divide their attention between current representations of poverty and important earlier narratives that have retained significant relevance today. The book's contributions discuss the representation of social suffering with attention to agencies of enunciation, ethical implications of 'voice' and 'listening', limits of narratability, the pitfalls of sensationalism, voyeurism and sentimentalism, potentials and restrictions inherent in specific representational techniques, modes and genres; cultural markets for poverty and precarity. Overall, the book suggests that analysis of poverty narratives requires an intersection of theoretical reflection and a close reading of texts.

The History of British Women's Writing, 1920-1945

The History of British Women's Writing, 1920-1945

Volume Eight

  • Author: M. Joannou
  • Publisher: Springer
  • ISBN: 1137292172
  • Category: Social Science
  • Page: 316
  • View: 2563
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Featuring sixteen contributions from recognized authorities in their respective fields, this superb new mapping of women's writing ranges from feminine middlebrow novels to Virginia Woolf's modernist aesthetics, from women's literary journalism to crime fiction, and from West End drama to the literature of Scotland, Ireland and Wales.

Home, Identity, and Mobility in Contemporary Diasporic Fiction

Home, Identity, and Mobility in Contemporary Diasporic Fiction

  • Author: Jopi Nyman
  • Publisher: Rodopi
  • ISBN: 9042026901
  • Category: Literary Criticism
  • Page: 248
  • View: 6389
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This innovative volume discusses the significance of home and global mobility in contemporary diasporic fiction written in English. Through analyses of central diasporic and migrant writers in the United Kingdom and the United States, the timely volume exposes the importance of home and its reconstruction in diasporic literature in the era of globalization and increasing transnational mobility. Through wide-ranging case studies dealing with a variety of black British and ethnic American writers,Home, Identity, and Mobility in Contemporary Diasporic Fiction shows how new identities and homes are constructed in the migrants' new homelands. The volume examines how diasporic novels inscribe hybridity and multiplicity in formerly uniform spaces and subvert traditional understandings of nation, citizenship, and history. Particular emphasis is on the ways in which diasporic fictions appropriate and transform traditional literary genres such as theBildungsroman and the picaresque to explore the questions of migration and transformation. The authors discussed include Caryl Phillips, Jamal Mahjoub, Mike Phillips, Hari Kunzru, Kamila Shamsie, Benjamin Zephaniah, Abdulrazak Gurnah, Cynthia Kadohata, Ana Castillo, Diana Abu-Jaber, and Bharati Mukherjee. The volume is of particular interest to all scholars and students of post-colonial and ethnic literatures in English.

New Chinese Cinema

New Chinese Cinema

Challenging Representations

  • Author: Sheila Cornelius,Ian Haydn Smith
  • Publisher: Wallflower Press
  • ISBN: 9781903364130
  • Category: Performing Arts
  • Page: 133
  • View: 4181
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New Chinese Cinema: Challenging Representations examines the 'search for roots' films that emerged from China in the aftermath of the Cultural Revolution. The authors contextualise the films of the so-called Fifth Generation directors who came to prominence in the 1980s and 1990s such as Chen Kaige, Zhang Yimou and Tian Zhuangzhuang. Including close analysis of such pivotal films as Farewell My Concubine, Raise the Red Lantern and The Blue Kite, the book also examines the rise of contemporary Sixth Generation underground directors whose themes embrace the disaffection of urban youth.

Critical Perspectives on Sam Selvon

Critical Perspectives on Sam Selvon

  • Author: Susheila Nasta
  • Publisher: Lynne Rienner Publishers
  • ISBN: 9780894102387
  • Category: Fiction
  • Page: 285
  • View: 1970
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This groundbreaking study of prolific Trinidadian writer Sam Selvon includes background essays, interviews with Selvon, and critical assessments of his ten novels and collected short stories. An extensive bibliography and notes on the contributors are included. In addition to Sam Selvon, the contributors to the work include Whitney Balliett, Harold Barratt, Edward Baugh, Frank Birbalsingh, E.K. Brathwaite, Edith Efron, Michel Fabre, Anson Gonzalez, Louis James, George Lamming, Bruce F. Macdonald, Peter Nazareth, V.S. Naipaul, Sandra Paquet, Jeremy Poynting, Isabel Quigley, Kenneth Ramchand, Eric Roach, Gordon Rohlehr, Andrew Salkey, Clancy Sigal, Derek Walcott, Edward Wilson, and Francis Wyndham

Women in Journalism at the Fin de Siècle

Women in Journalism at the Fin de Siècle

Making a Name for Herself

  • Author: F. Gray
  • Publisher: Springer
  • ISBN: 1137001305
  • Category: Literary Criticism
  • Page: 271
  • View: 4105
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As the nineteenth-century drew to a close, women became more numerous and prominent in British journalism. This book offers a fascinating introduction to the work lives of twelve such journalists, and each essay examines the career, writing and strategic choices of women battling against the odds to secure recognition in a male-dominated society.

The 1980s: A Decade of Contemporary British Fiction

The 1980s: A Decade of Contemporary British Fiction

  • Author: Philip Tew,Emily Horton,Leigh Wilson
  • Publisher: A&C Black
  • ISBN: 1441168532
  • Category: Literary Criticism
  • Page: 256
  • View: 1120
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How did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.

Key Readings in Journalism

Key Readings in Journalism

  • Author: Elliot King,Jane Chapman
  • Publisher: Routledge
  • ISBN: 113576767X
  • Category: Language Arts & Disciplines
  • Page: 424
  • View: 2338
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Key Readings in Journalism brings together over thirty essential writings that every student of journalism should know. Designed as a primary text for undergraduate students, each reading was carefully chosen in response to extensive surveys from educators reflecting on the needs of today’s journalism classroom. Readings range from critical and historical studies of journalism, such as Walter Lippmann’s Public Opinion and Michael Schudson’s Discovering the News, to examples of classic reporting, such as Carl Bernstein and Bob Woodward’s All the President’s Men. They are supplemented by additional readings to broaden the volume’s scope in every dimension, including gender, race, and nationality. The volume is arranged thematically to enable students to think deeply and broadly about journalism—its development, its practice, its key individuals and institutions, its social impact, and its future—and section introductions and headnotes precede each reading to provide context and key points for discussion.

Horseracing and the British, 1919-39

Horseracing and the British, 1919-39

  • Author: Mike Huggins
  • Publisher: Manchester University Press
  • ISBN: 9780719065293
  • Category: History
  • Page: 230
  • View: 4877
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From the prize-winning author of Flat Racing and British Society 1780-1914, this is the first book to provide a detailed consideration of the history of racing in British culture and society and to explore the cultural world of racing during the inter-war years. It breaks new ground by showing how racing's pleasures were enjoyed even by the supposedly respectable middle classes, and gave some working-class groups hope and consolation during economically difficult times. Regular attendance and increased spending on betting were found across class and generation, and women too were keen participants. Enjoyed by the Royal Family and controlled by the Jockey Club and National Hunt Committee, racing's visible emphasis on rank and status helped defend hierarchy and gentlemanly amateurism, and provided support for more conservative British attitudes. The mass media provided a cumulative cultural validation of racing, helping define national and regional identity, and encouraging the affluent consumption of sporting experience and frank enjoyment of betting.

The Methods and Skills of History

The Methods and Skills of History

A Practical Guide

  • Author: Michael J. Salevouris,Conal Furay
  • Publisher: John Wiley & Sons
  • ISBN: 1118745442
  • Category: History
  • Page: 312
  • View: 4557
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"Includes a series of field-tested exercises designed to make the research and writing of history more meaningful and accessible to readers"--

The Oxford Companion to English Literature

The Oxford Companion to English Literature

  • Author: Dinah Birch
  • Publisher: OUP Oxford
  • ISBN: 0191030848
  • Category: Literary Collections
  • Page: 1184
  • View: 3156
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The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams. The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.

The Female Figure in Contemporary Historical Fiction

The Female Figure in Contemporary Historical Fiction

  • Author: K. Cooper,E. Short
  • Publisher: Springer
  • ISBN: 1137283386
  • Category: Social Science
  • Page: 241
  • View: 7032
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From The Other Boleyn Girl to Fingersmith , this collection explores the popularity of female-centred historical novels in recent years. It asks how these representations are influenced by contemporary gender politics, and whether they can be seen as part of a wider feminist project to recover women's history.

Contemporary Masculinities in Fiction, Film and Television

Contemporary Masculinities in Fiction, Film and Television

  • Author: Brian Baker
  • Publisher: Bloomsbury Publishing USA
  • ISBN: 1623567386
  • Category: Performing Arts
  • Page: 272
  • View: 6679
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While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.

Intermodernism

Intermodernism

  • Author: Kristin Bluemel
  • Publisher: Edinburgh University Press
  • ISBN: 0748688560
  • Category: Literary Criticism
  • Page: 264
  • View: 2884
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This collection of original critical essays, newly available in paperback, launches an ambitious, long-term project marking out a new period and style in twentieth-century literary history.

The Cinema of Terrence Malick

The Cinema of Terrence Malick

Poetic Visions of America

  • Author: Hannah Patterson
  • Publisher: Columbia University Press
  • ISBN: 0231850115
  • Category: Performing Arts
  • Page: 224
  • View: 6668
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With 2005's acclaimed and controversial The New World, one of cinema's most enigmatic filmmakers returned to the screen with only his fourth feature film in a career spanning thirty years. While Terrence Malick's work has always divided opinion, his poetic, transcendent filmic language has unquestionably redefined modern cinema, and with a new feature scheduled for 2008, contemporary cinema is finally catching up with his vision. This updated second edition of The Cinema of Terrence Malick: Poetic Visions of America charts the continuing growth of Malick's oeuvre, exploring identity, place, and existence in his films. Featuring two new original essays on his latest career landmark and extensive analysis of The Thin Red Line-Malick's haunting screen treatment of World War II-this is an essential study of a visionary poet of American cinema.