Search results for: book-of-poems-selection-libro-de-poemas-selecci-n

Book of Poems Selection Libro de poemas Selecci n

Author : Federico García Lorca
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DIVSelections from the 1921 work Libro de poemas spotlight 55 poems, all imbued with the spirit and folklore of the beloved poet's native Andalusia. Introduction. Notes. /div


Author : Lawrence Boudon
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"The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought

Recording for the Blind Dyslexic Catalog of Books

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Make it True Meets Medusario Bilingual anthology of Neobarroco Cascadian Poets

Author : José Kozer
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“Make It True meets Medusario brings together poets from divergent languages, cultures, and aesthetics to create a...conversation...a fertile meeting place for ongoing ideas about poetry that might trouble the all too-easy academic labels and the subsequent segregation those aesthetic and political divisions cause within the larger, global poetry community.” -From the book’s introduction by Matthew Trease This collaboration, spawned by two previous anthologies, includes the Spanish language poets of the Neobarroco school, as organized by José Kozer, a Cuban Neobarroco poet, together with poets from the Cascadia bioregion, arranged by Paul E Nelson, founder of the Seattle Poetics Lab (SPLAB) and Thomas Walton, editor-in-chief of Pageboy Magazine, Seattle, WA. NEOBARROCO (Medusario) poets include: Carmen Berenguer, Marosa Di Giorgio, Roberto Echavarren, Eduardo Espina, Reynaldo Jiménez, Tamara Kamenszain, José Kozer, Pedro Marqués de Armas, Maurizio Medo, Néstor Perlongher, Soleida Ríos, Roger Santiváñeaz, and Raúl Zurita CASCADIANS (Make It True) poets include: Stephen Collis, Elizabeth Cooperman, Sarah de Leeuw, Claudia Castro Luna, Nadine Maestas, Peter Munro, Paul E Nelson, John Olson, Shin Yu Pai, Clea Roberts, Cedar Sigo, Matthew Trease and Thomas Walton

Nature s Colloquy with the Word

Author : Kay Pritchett
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This goal allies her with poets from Spain's symbolist past, who acknowledge the insufficiency of language yet pursue elusive meaning. Canelo's poetry advances their struggle, since, through a method ecofeminist Carol Bigwood has called "nonlinguistic silent presencing," she is able to finesse an apparent fusion between nature and the word."--Jacket.

Syrian Dust

Author : Francesca Borri
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August 21, 2013: a chemical weapons attack on the suburbs of Damascus reminds the world of the existence of the Syrian war. Hundreds of journalists from every corner of the world rush to the frontier only to leave disappointed when Obama decides not to bomb. They leave behind 200,000 estimated victims, and more than half of a population of 22 million people dispersed or refugeed in nearby countries: the worst humanitarian crisis since WWII according to the UN. Francesca Borri is one of them. But she does not leave. She is thirty years old. For months she covers the battle of Aleppo as a freelance reporter. And she quickly realizes that to report a war is to hide with dozens of women and children, even a baby, born there, in a grave, 'a piece of soil under the ground that is as expensive as three houses' or to scavenge for anything to burn for some warmth, 'a broken slipper, the plastic hand of a toy' or to mistake bloody figments of skull for rubble. To report a war is also to meet with officials more worried about the stain of snow on their Clarks than the people they are supposed to help. It is to explain what is happening in Aleppo to journalists who have only been there once, on vacation, and bought a carpet. It is risking one's life because of the jealousy of a fellow reporter. And it is also about dreaming of driving at night with the windows open, about remembering impossible little things, the particular light on that day in that café at the beach when you were a kid, the eyes of people you love, all the minuscule simple joys that can be lost in a moment. Syrian Dust is a raw and powerful account of the Syrian war that throws the reader right in the middle of it, without any shelter.

Handbook of Latin American Studies

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Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years.

American Book Publishing Record

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The Poetry of Francisco Brines

Author : Judith Nantell
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"Brines's seven poetry collections offer a sustained inquiry into three fundamental philosophical themes: knowledge, the present moment, and non-being. These themes, however, are presented as conflictual differences. The numerous poetic voices heard throughout his poetry continually wrestle with knowledge perpetually oscillating with ignorance, the present moment unceasingly becoming past, and human existence endlessly displaying its own finitude. In this study, the critical interpretation of these themes leads to the critical exploration of language, the signifying process of language, and the warring forces of signification. The sign is thus viewed as a structure of difference and as such it endlessly displays the duplicitous nature of language engaged in a semantic struggle with itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The British Library General Catalogue of Printed Books 1986 to 1987

Author : British Library
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