Search results for: hunger-trilogy

Hunger Trilogy

Author : Ruowang Wang
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This autobiographical novella was written in 1980 by one of China's leading dissidents, who was released from jail in late October 1990 again after being imprisoned as a pro-democracy activist in the wake of the Tiananmen incident of spring 1989. Wang recounts three episodes of extreme hardship in his life: incarceration in a Guomindang jail during the 1930s for his communist activism, on the run from Japanese troops during the 1940s in a bleak part of Shandong Province, and imprisonment as a "rightist" in Shanghai during the 1960s cultural revolution. The central theme of the three stories is extreme deprivation and "Hunger."

Hunger Trilogy

Author : Wang Ruowang
File Size : 56.74 MB
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This autobiographical novella was written in 1980 by one of China's leading dissidents, who was released from jail in late October 1990 again after being imprisoned as a pro-democracy activist in the wake of the Tiananmen incident of spring 1989. Wang recounts three episodes of extreme hardship in his life: incarceration in a Guomindang jail during the 1930s for his communist activism, on the run from Japanese troops during the 1940s in a bleak part of Shandong Province, and imprisonment as a "rightist" in Shanghai during the 1960s cultural revolution. The central theme of the three stories is extreme deprivation and "Hunger".

Catching Fire Cookbook Experience the Hunger Games Trilogy with Unofficial Recipes Inspired by Catching Fire

Author : Rockridge Press
File Size : 25.95 MB
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“What must it be like, I wonder, to live in a world where food appears at the press of a button? How would I spend the hours I now commit to combing the woods for sustenance if it were so easy to come by?” — Katniss Everdeen Savor the post-apocalyptic world of Panem one dish at a time with the Catching Fire Cookbook. Offering over 65 recipes, this cookbook serves fans an authentic taste of Catching Fire, whether foraged for in the impoverished District 12 or devoured at the lavish banquets of the Capitol. • Satisfy your appetite with the recipes savored by the tributes: Peeta’s Multigrain Bread, Chicken with Orange Sauce, and Parsley Mashed Potatoes • Consume the dishes inspired by Catching Fire: Pepper Jack and Chive Muffins, Lamb Chops With a Balsamic Plum Reduction, and Tiny Plum Tarts • Hunt like Katniss and Gale for adventurous ingredients and create daring dishes: Charred Tree Rat, Hazelle’s Authentic Beaver Stew, and Spit-Roasted Goat Transport your senses into the world of The Hunger Games with Catching Fire Cookbook, and relish the delicious adventures of the trilogy over and over again.

Emotional Ethics of The Hunger Games

Author : Tarja Laine
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Emotional Ethics of The Hunger Games expands the ‘ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions in a way that highlights their ethical significance, running the gamut from fear through guilt and shame, to love, anger and contempt. The central claim of the book is that these emotions are symptomatic of some moral conflict, which renders The Hunger Games franchise a meaningful commentary on the affective practice of cinematic ethics. ‘’The Hunger Games movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses The Hunger Games as key texts for understanding our world, demonstrating that ethics do not originate from rational considerations, far removed from those mucky things called emotions. But rather that emotions are at the core of cinematic ethics.” —William Brown, Author of Supercinema: Film-Philosophy for the Digital Age ‘’In this elegantly written exploration of the relationship between aesthetics and emotion in The Hunger Gamestrilogy, Tarja Laine illuminates the power of film to embody ethical conflict. Deftly interweaving film-philosophy and close analysis, Laine traces how these films mobilise complex emotions, nuancing our thinking about cinema and the spectator. Laine’s book takes The Hunger Games films seriously, demonstrating with verve why they matter.” —Catherine Wheatley, Senior Lecturer in Film Studies, King’s College London, UK ''In this fresh, engaging, and insightful study of The Hunger Games film trilogy, Tarja Laine explores the crucial role that emotions play in appreciation of the ethical qualities of the movies. She forges productive dialogues between a range of film theory, scholarship on moral philosophy, and debates on ethics, as she performs a multi-layered investigation of the aesthetic qualities of the trilogy, the multiple emotions embodied in these qualities, and the philosophical-ethical insights that are in turn embedded in these emotions. The cinematic connection between emotions and ethics that emerges through Laine’s detailed textual analyses confronts us with complex moral dilemmas while enriching our aesthetic experience.'' —Sarah Cooper, Professor, Film Studies Department, King's College London, UK

Space and Place in The Hunger Games

Author : Deidre Anne Evans Garriott,
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An international bestseller and the inspiration for a blockbuster film series, Suzanne Collins’s dystopian, young adult trilogy The Hunger Games has also attracted attention from literary scholars. While much of the criticism has focused on traditional literary readings, this innovative collection explores the phenomena of place and space in the novels—how places define people, how they wield power to create social hierarchies, and how they can be conceptualized, carved out, imagined and used. The essays consider wide-ranging topics: the problem of the trilogy’s Epilogue; the purpose of the love triangle between Katniss, Gale and Peeta; Katniss’s role as “mother”; and the trilogy as a textual “safe space” to explore dangerous topics. Presenting the trilogy as a place and space for multiple discourses—political, social and literary—this work assertively places The Hunger Games in conversation with the world in which it was written, read, and adapted.

Agency in The Hunger Games

Author : Kayla Ann
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For 21st-century young adults struggling for personal autonomy in a society that often demands compliance, the bestselling trilogy, The Hunger Games remains palpably relevant despite its futuristic setting. For Suzanne Collins' characters, personal agency involves not only the physical battle of controlling one's body but also one's response to such influences as morality, trauma, power and hope. The author explores personal agency through in-depth examinations of the lives of Katniss, Peeta, Gale, Haymitch, Cinna, Primrose, and others, and through an analysis of themes like the overabundance of bodily imagery, social expectations in the Capitol, and problem parental figures. Readers will discover their own "dandelion of hope" through the examples set out by Collins' characters, who prove over and over that human agency is always attainable.

China s Intellectuals and the State

Author : Professor of History Emerita Boston University and Associate of the John K Fairbank Center for East Asian Research Harvard University Merle Goldman
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This book examines the troubled and changing relationship today's intellectuals in China have to the state. It focuses primarily on the post-Mao years when bitter memories of the Cultural Revolution and China's renewed quest for modernization have at times allowed intellectuals increased leeway in expression and more influence in policy-making.

Young Adult Literature

Author : Michael Cart
File Size : 36.50 MB
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Cart’s up-to-date coverage makes this the perfect resource for YA librarians who want to sharpen their readers’ advisory skills, educators and teachers who work with young people, and anyone else who wants to understand where YA lit has been and where it’s heading.

Suzanne Collins

Author : Marcia Amidon Lusted
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"[The Hunger Games trilogy] spread like wildfire," says Croton-on-Hudson, N.Y., teacher Annmarie Powers, in a statement to USA TODAY, the Nation's No. 1 Newspaper. The teacher explained that the books, written by author Suzanne Collins, "deal with themes that teens are consumed with: 'fairness, relationships, plenty of violence and blood, greed, hypocrisy, subservience and rebellion.'" Collins came up with the storyline one night while channel surfing. Images of televised news coverage of the U.S.-led war in Iraq blurred in her mind with scenes from a reality show and sparked an exciting idea. What about a story that focused on teens in a fight-to-the-death battle, televised live from start to finish? Published in 2008, The Hunger Games riveted teens and adults alike. Followed by Catching Fire in 2009 and Mockingjay in 2010, each volume became an instant bestseller. The books evolved into major motion pictures, and Collins went behind the cameras to advise movie makers as her stories were translated onto the big screen. Discover the literary and personal influences that helped Collins create one of the most challenging visions of human nature.

Climate Change in Popular Culture A Warming World in the American Imagination

Author : James Craig Holte
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Climate Change in Popular Culture: A Warming World in the American Imagination is the first study that includes analyses of both fiction and popular nonfiction works devoted to climate change. In addition, the book examines a number of classic works from the perspective of the growing field of climate change literature and includes a brief history of climate change science as well basic scientific definitions, all intended for general readers. The text provides an introduction to the science, politics, and economics of climate change. It also includes both historical overviews and potential probable futures projected by leading climate scientists and environmental writers. In addition, the text looks at how such creative writers and directors as Margaret Atwood, John Steinbeck, Paulo Bacigalupi, Kim Stanley Robinson, T. C. Boyle, Michael Crichton, and Octavia Butler, among others, have used the disasters caused by climate change in their work.