Search results for: jazz-stories

BLUES and JAZZ STORIES

Author : Tatsiana Shtykava Rostved
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Hello and welcome to my world and life... In Blues and Jazz Stories you will get closely acquainted with the two unique and amazing cats who are the only cats in the world called Blues and Jazz. You will discover why and how they were given these beautiful musical names, you will share their adventures and enjoy my observations of and about them. You will understand why and how Cats (and other Pets) are on a Mission, what this mission is and how this is all connected. But it is not "just" a cat(s) story. Neither is it "just" another book (about cats). You will also meet me, my Danish husband's Russian princess, learn our love story and some funny challenges we have been "enduring", coming from different countries, carrying different cultures and having different tastes. You will learn and fall in love with the concept of a summerhouse - in Denmark and in Sweden. And you will be overwhelmed with and by my love for Nature and its magic. What I hope for with my Stories is to find and reach those who will like to listen (read), will be touched and will feel joy.

The Stories of Jazz

Author : Mario Dunkel
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New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a "tradition" consisting of fixed components including a succession of jazz styles. How did this construction of music history emerge? What were the alternative perspectives? And why did the narrative of a fixed tradition catch on? In this study, Mario Dunkel examines narratives of jazz history from the beginnings of jazz until the late 1950s. According to Dunkel, the jazz tradition is simultaneously an attempt to approach historical reality and the product of competition between different narratives and cultural myths. From the middlebrow culture of the 1920s to the New Deal, the African American civil rights movement and the role of the U.S. in the Cold War, Dunkel shows in detail how the jazz tradition, as a global narrative of the twentieth century, is intertwined with greater social and cultural developments.

Puerto Rican Women from the Jazz Age Stories of Success

Author : Basilio Serrano
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The topic of this book may seem unusual to some since there may be those who believe that Puerto Rican women may not have entered the jazz milieu during its early history. Nevertheless, an aim of the book is to dispel this and other false generalizations. The contents of this volume will document how Puerto Rican women were not only present in early jazz but how they played trailblazing and innovative roles and contributed to the emergence of the genre in the States and abroad. This work will present information that is confirmable through a variety of sources. The book may not be the definitive work on the subject but will serve as a starting point to: -document the success and achievement of several Puerto Rican women from the jazz age -consider the different strategies used for success in jazz and film by women -illustrate the evolution of various careers -consider the different personal circumstances under which success was achieved -consider how women in contemporary jazz and film can learn from their predecessors -provide women: older, young, and youthful, examples of success with documentary evidence on how to achieve Book Organization The book is organized into sections that cover a brief history of significant Puerto Rican women in music and the performing arts followed by biographical descriptions of pioneering women in jazz and film. The book also contains a brief discussion on Puerto Rican women in jazz today followed by a discussion surrounding issues affecting women in the arts today. Throughout the text there is commentary on the situations facing women, especially, male chauvinism, colonialism, racism, and anti-women prejudice in jazz. Every effort was made to include only facts that are easily confirmable. Unsupported tales or questionable events are avoided to ensure that the material contained in the volume can be used for teaching purposes and for curriculum development when credit is given to this work. In the process of developing the central theme of this volume, special effort was made to document those experiences where Puerto Rican women collaborate with members of the African American community to confirm how the cross-cultural collaboration resulted beneficial to both ethnic peoples. The book will detail the many instances where members of the African-American community assisted the fledgling Puerto Rican artists achieve success and stardom. Figures such as Helen Elise Smith, David J. Martin, Will Marion Cook, Ada ‘Bricktop’ Smith, Dr. Laurence Clifton Jones, and other distinguished African-Americans are described. My hope is that this information will be added to historic works in African-American Studies.

Jazz Books in the 1990s

Author : Janice Leslie Hochstat Greenberg
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This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.

The Story of Jazz

Author : Marshall Winslow Stearns
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Traces the evolution of jazz from its African and West Indian roots to its contemporary forms and discusses the careers and styles of Leadbelly, Armstrong, Bessie Smith, and others

The Story of South African Jazz Volume One

Author : Struan Douglas
File Size : 33.53 MB
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The Story of the Original Dixieland Jazz Band

Author : H. O. Brunn
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It was the five young men who called themselves The Original Dixieland Jazz Band who raised jazz from being a curious, local, and peculiarly Negro phenomenon into the greatest popular artform in history. In 1916 they swept Chicago off its feet. In 1917 they took New York by storm. For the first time jazz became fashionable. People crowded into Reisenwehr’s Restaurant where they played. They were in constant demand for shows and charity performances. They accompanied Sophie Tucker and appeared on the same bill as Caruso. In March 1917 they made the first jazz record and their fame flew across the whole continent. The record was the biggest seller in the R.C.A. catalogue, passing the magic million and easily outstripping the records of Caruso and Sousa’s Band which were the current popular idols. But, not content with America as their platform, they also became the first group to export the new music. And London, too, was caught up in the exciting rhythm and wild, savage, haunting gaiety of jazz. For more than a year they played to packed houses. They gave a command performance for King George V. They were the sensation of the Victory Ball to celebrate the signing of the Treaty of Versailles. When the band broke up for the first time in 1924, partly torn by inner dissension, partly frustrated by the wave of indignation against the frenzied enthusiasm of their supporters (in 1922 jazz was banned after midnight in New York City), they had firmly established themselves as the top entertainment group in the United States, and they had blazed a trail to success which all could follow. They had proved that jazz was not merely a folk-music which could only be appreciated by Negroes, but the expression, in a particularly exhilarating form, of something which was an essential part of human nature. “Here at last is the book that tells the truth about how jazz music really began.”—THE GRAMOPHONE -

A Companion to the British and Irish Short Story

Author : David Malcolm
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A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain

Jazz Times

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Jazz Journal International

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