Search results for: media-production-agreements-a-users-guide-for-film-and-programme-makers-blueprint

Media Production Agreements

Author : Philip Alberstat
File Size : 45.6 MB
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Written specifically for those involved in the media industry, this reference tool offers information and advice on the structuring of deals and identifies potential pitfalls in negotiated agreements.

Media Production Agreements

Author : Philip Alberstat
File Size : 33.61 MB
Format : PDF, Mobi
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Media Production Agreements is an invaluable reference tool for film, television and video producers and has been written specifically for all those involved in the media industry. Providing legal information and sound advice on the structuring of deals and negotiated agreements, this authoritative guide identifies potential pitfalls in the drafting and arrangement of contracts and proposals. Media Production Agreements contains legal agreements which independent producers, writers and all those involved in the film and television industry are faced with at the outset of a project. Typical agreements and sample contracts are presented in the text and practical explanatory notes provide clarification, caveats and advice. Contracts and agreements discussed include: * option and literary purchase * writer's and director's agreement * co-production agreement * distribution agreement * location agreement * non-disclosure agreement * release from a living person * release for extras * name product and logo release agreement * licence to reproduce still photographs.

Media Law

Author : Rhonda Baker
File Size : 57.87 MB
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First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

BFI Film and Television Handbook

Author :
File Size : 77.37 MB
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Law Books in Print Publishers

Author :
File Size : 38.22 MB
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Law Books in Print Title index

Author : Glanville Publishers, Incorporated
File Size : 71.79 MB
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Law Books in Print Subject index J Z

Author :
File Size : 58.31 MB
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Guerilla Film Makers Movie Blueprint

Author : Chris Jones
File Size : 77.60 MB
Format : PDF, ePub, Docs
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Central to The Guerilla Film Makers Movie Blueprint are flow charts: crystal-clear diagrams detailing every single thing, no matter how small, that needs to be done to make your film. This visual approach to the filmmaking process ensures that new (and established!) filmmakers get an instant overview of each and every discipline. Backing up the diagrams are copious notes - humorous in tone, yet broad and deep in content. Wherever possible, the text is broken apart into box outs, hot tips and sub-diagrams. This book is entertaining, irreverent, and never less than painfully practical. The Guerilla Film Makers Movie Blueprint will have its own dedicated website where readers can download the tools, forms, software, and artwork detailed in the book. Jones's latest endeavor is packed with over a decade's worth of experience, know-how, and insider tips. A must-read for every budding filmmaker.

The British National Bibliography

Author : Arthur James Wells
File Size : 66.37 MB
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The International Film Business

Author : Angus Finney
File Size : 61.44 MB
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The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.