Search results for: modern-masters-of-kyoto

Modern Masters of Kyoto

Author : Michiyo Morioka
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"Modern Masters of Kyoto presents more than eighty examples of Kyoto nihonga - hanging scrolls, screens, and an album - dating from the 1860s to the 1940s. Featuring two exceptionally original artists, Tsuji Kako (1870-1931) and his pupil Tomita Keisen (1879-1936), the volume includes works by their predecessors, their contemporaries, and their successors. Collectively their works demonstrate the evolution of Kyoto nihonga in the late nineteenth and early twentieth centuries. The book introduces Western readers to a range of Kyoto artists from the most famous to the talented but relatively unknown. Their often visually stunning paintings provide a window from which to glimpse both the past and the modern in Japanese art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Porcelain Stories

Author : Julie Emerson
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Painting Circles Tsuchida Bakusen and Nihonga Collectives in Early Twentieth Century Japan

Author : John Szostak
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This book explores the practice of Nihonga painter Tsuchida Bakusen (1997-1936), and his professional strategy for developing an independent artistic identity, one that emphasized the central role played by tradition in the invention and expression of a Japanese regional dialect of artistic modernism.

Kyoto Visual Culture in the Early Edo and Meiji Periods

Author : Morgan Pitelka
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The city of Kyoto has undergone radical shifts in its significance as a political and cultural center, as a hub of the national bureaucracy, as a symbolic and religious center, and as a site for the production and display of art. However, the field of Japanese history and culture lacks a book that considers Kyoto on its own terms as a historic city with a changing identity. Examining cultural production in the city of Kyoto in two periods of political transition, this book promises to be a major step forward in advancing our knowledge of Kyoto’s history and culture. Its chapters focus on two periods in Kyoto’s history in which the old capital was politically marginalized: the early Edo period, when the center of power shifted from the old imperial capital to the new warriors’ capital of Edo; and the Meiji period, when the imperial court itself was moved to the new modern center of Tokyo. The contributors argue that in both periods the response of Kyoto elites—emperors, courtiers, tea masters, municipal leaders, monks, and merchants—was artistic production and cultural revival. As an artistic, cultural and historical study of Japan's most important historic city, this book will be invaluable to students and scholars of Japanese history, Asian history, the Edo and Meiji periods, art history, visual culture and cultural history.

Newsletter East Asian Art and Archaeology

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Twentieth Century Modern Masters

Author : Sabine Rewald
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Published in conjunction with the exhibition held at The Metropolitan Museum of Art, NYC, Dec. 1989-Apr. 1990. The last great private collection of the art of the School of Paris--81 paintings drawings, and bronzes by Bonnard, Braque, Dali, Dubuffet, Matisse, Miro, Picasso, and Giacometti, among others. With accompanying essays and additional illustrations (a total of 281, 95 in color). 10x121/4". Annotation copyrighted by Book News, Inc., Portland, OR

Bulletin

Author : University of Michigan. Museum of Art
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Painting Nature for the Nation

Author : Rosina Buckland
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In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet neglected, figure, Buckland traces how Katei transformed his art and practice based in modes derived from China in order to fulfil the needs of the modern nation-state at large-scale exhibitions and at the imperial court.

Rethinking Japanese Modernism

Author : Roy Starrs
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By adopting an open, multidisciplinary, and transnational approach, this book sheds new light both on the specific achievements and on the often-unexpected interrelationships of the writers, artists and thinkers who helped to define the Japanese version of modernism and modernity.

Masters of Modern Italian Art from the Collection of Gianni Mattioli

Author : Franco Russoli
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Another Kyoto

Author : Alex Kerr
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Another Kyoto is an insider's meditation on the hidden wonders of Japan's most enigmatic city. Drawing on decades living in Kyoto, and on lore gleaned from artists, Zen monks and Shinto priests, Alex Kerr illuminates the simplest things - a temple gate, a wall, a sliding door - in a new way. 'A rich book of intimate proportions ... In Kyoto, facts and meaning are often hidden in plain sight. Kerr's gift is to make us stop and cast our eyes upward to a temple plaque, or to squint into the gloom of an abbot's chamber' Japan Times 'Kerr and Sokol have performed a minor miracle by presenting that which is present in Kyoto as that which we have yet to see. I know that I will never pass a wall, or tread a floor, or sit on tatami the same way again' Kyoto Journal

Figures Traced in Light

Author : David Bordwell
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Staging and style -- Feuillade, or, Storytelling -- Mizoguchi, or, Modulation -- Angelopoulos, or, Melancholy -- Hou, or, Constraints -- Staging and stylistics.

Challenging Past and Present

Author : Ellen P. Conant
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The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the latter as one threatened by Meiji reforms and indiscriminate westernization and modernization. Challenging Past and Present, to the contrary, demonstrates that the period 1840–1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turn made possible the creative achievements of the twentieth century. The first group of chapters takes as its theme the diverse cultural currents of the transitional period, particularly as they applied to art.The second section deals with the inconsistent yet determinedly pragmatic courses pursed by artists, entrepreneurs, and patrons to achieve a secure footing in the uncertain terrain of early Meiji. Further chapters look at how painters and sculptors sought to absorb and integrate foreign influences and reinterpret their own stylistic mediums.

Encyclopedia of Contemporary Japanese Culture

Author : Sandra Buckley
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Offering extensive coverage, this Encyclopedia is a new reference that reflects the vibrant, diverse and evolving culture of modern Japan, spanning from the end of the Japanese Imperialist period in 1945 to the present day. Entries cover areas such as literature, film, architecture, food, health, political economy, religion and technology and they range from shorter definitions, histories or biographies to longer overview essays giving an in-depth treatment of major issues. With over 700 alphabetically arranged entries, this Encyclopedia will be an invaluable reference tool for students of Japanese and Asian Studies, as well as providing a fascinating insight into Japanese culture for the general reader. Suggestions for further reading, a comprehensive system of cross-referencing, a thematic contents list and an extensive index all help navigate the reader around the Encyclopedia and on to further study.

Faith and Power in Japanese Buddhist Art 1600 2005

Author : Patricia J. Graham
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Explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise.

The Politics of Painting

Author : Asato Ikeda
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This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.

East Asian Art History in a Transnational Context

Author : Eriko Tomizawa-Kay
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This is the first comprehensive English-language study of East Asian art history in a transnational context, and challenges the existing geographic, temporal, and generic paradigms that currently frame the art history of East Asia. This pioneering study proposes an important new framework that focuses on the relationship between China, Japan, and Korea. By reconsidering existing concepts of ‘East Asia’, and examining the porousness of boundaries in East Asian art history, the study proposes a new model for understanding trans-local artistic production – in particular the mechanics of interactions – at the turn of the 20th century.

Deciphering the Rising Sun

Author : Roger Dignman
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This book is the first to document the vital role played by Americans, not of Japanese ancestry, who served as Japanese language officers in World War II. Covering the period 1940-1945, it describes their selection, training, and service in the U.S. Navy and Marine Corps during the war and their contributions toward maintaining good relations between America and Japan thereafter. Author Roger Dingman argues that their service as codebreakers and combat interpreters hastened victory and that their cross-cultural experience and linguistic knowledge facilitated the successful dismantling of the Japanese empire and the peaceful occupation of Japan. He shows how the war changed relations between the Navy and academia, transformed the lives of these 1,200 men and women, and set onetime enemies on a course to enduring friendship. The book s purpose is twofold: to reveal an exciting and previously unknown aspect of the Pacific War and to demonstrate the enduring importance of linguistic and cross-cultural knowledge within America s armed forces in war and peace. The book is meant for general readers interested in World War II, as well as those with an interest in America's intelligence establishment and those fascinated by Japan and its relations with the United States. Based on extensive interviews with the language officers and on their wartime letters and unpublished memoirs, this history reveals how brains and a devotion to duty allowed these officers to learn an extraordinarily difficult language and use it to hasten Japan s defeat as well as to assist the transformation of the Japanese from enemy to friend of America. It is also, the author notes, a telling example of how empathy and cross-cultural understanding rather than brute force and coercion can lead to greater production of valuable intelligence and active collaboration.

A History of Japan

Author : Conrad Totman
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This is an updated edition of Conrad Totman’s authoritative history of Japan from c.8000 BC to the present day. The first edition was widely praised for combining sophistication and accessibility. Covers a wide range of subjects, including geology, climate, agriculture, government and politics, culture, literature, media, foreign relations, imperialism, and industrialism. Updated to include an epilogue on Japan today and tomorrow. Now includes more on women in history and more on international relations. Bibliographical listings have been updated and enlarged.

Masters of Modern Italian Art from the Collection of Gianni Mattioli

Author : Franco Russoli
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