Search results for: painting-with-brenda-harris-volume-4

Painting with Brenda Harris Volume 4

Author : Brenda Harris
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You too can become an artist. It's as easy as 1-2-3! Beloved television painter Brenda Harris shows you how to paint perfect acrylics every time with the 10 projects inside this book—the fourth in North Light's Painting with Brenda Harris series. You'll love the 10 charming garden scenes in this book, including a bougainvillea terrace, a bird nestled in the foliage, and vegetables ripe for harvest. Capture exquisite details—from creeping vines to sunlit blooms—and learn to incorporate people, animals, and buildings into your garden. Beloved PBS painter Brenda Harris leads you through the essentials of painting acrylics. With her quick tips and simple patterns, you can easily paint a stunning masterpiece in just a few hours. This book provides all the helpful guidance you need to start painting today!

American Book Publishing Record

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Tampa Bay Magazine

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Tampa Bay Magazine is the area's lifestyle magazine. For over 25 years it has been featuring the places, people and pleasures of Tampa Bay Florida, that includes Tampa, Clearwater and St. Petersburg. You won't know Tampa Bay until you read Tampa Bay Magazine.

Books in Print

Author : R R Bowker Publishing
File Size : 62.37 MB
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The British National Bibliography

Author : Arthur James Wells
File Size : 48.21 MB
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Paperbound Books in Print

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File Size : 66.36 MB
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Library Journal

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File Size : 79.84 MB
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History of British Film Volume 4

Author : Rachael Low
File Size : 36.7 MB
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This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

Joyce in the Belly of the Big Truck Workbook

Author : Joyce A. Cascio
File Size : 37.54 MB
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Library Journal

Author : Melvil Dewey
File Size : 52.45 MB
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Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.

Southwest Art

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TV Guide

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Looking and Listening

Author : Brenda Lynne Leach
File Size : 88.8 MB
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Looking and Listening: Conversations between Modern Art and Music invites the art and music lover to place these two realms of creative endeavor into an open dialog. Although the worlds of music and visual art often seem to take separate paths, they are usually parallel. Conductor and art connoisseur Brenda Leach takes unique pairings of well-known visual art works and musical compositions from the twentieth century to identify the shared sources of inspiration, as well as similarities in theme, style, and technique, to explore the historical and cultural influences on the great artists and composers in the twentieth century. Looking and Listening asks and answers: What does jazz have in common with paintings by Stuart Davis and Piet Mondrian? How did Gershwin’s Rhapsody in Blue affect the work of artist Arthur Dove? How did painter Georgia O’Keeffe and composer Aaron Copland capture the spirit of a youthful America entering the twentieth century? What did Kandinsky and Schoenberg share in their artistic visions? Leach takes readers on a whirlwind tour of the lives of these artists, surveying many of the key movements in the twentieth century by comparing representative works from the modern masters of the visual arts and music. Leach’s refreshing and innovation approach will interest those passionate about twentieth-century art and music and is ideal for any student or instructor, museum docent, or music programmer seeking to draw the lines of connection between these two art forms.

Ruling Out Art

Author : Taryn Sirove
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In the 1980s, the Ontario Board of Censors began to subject media artists’ work to the same cuts, bans, and warning labels as commercial film. This innovative exploration of how art and law intersected in the ensuing censor wars turns a spotlight on the powerful role that artists can play in the administration of culture. When artists and their anti-censorship allies mounted grassroots protests and entered courts of law, they impacted how the province interpreted freedom of expression. The language of the law in turn shaped the way artists conceived of their own practices.

Congressional Record Index Volume 156 A K L Z

Author : Congress
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Andy Warhol

Author : Donna M. De Salvo
File Size : 40.74 MB
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A unique 360‐degree view of an incomparable 20th-century American artist One of the most emulated and significant figures in modern art, Andy Warhol (1928-1987) rose to fame in the 1960s with his iconic Pop pieces. Warhol expanded the boundaries by which art is defined and created groundbreaking work in a diverse array of media that includes paintings, sculptures, prints, photographs, films, and installations. This ambitious book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production--from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.

Schwann Opus

Author : Schwann Publications
File Size : 52.69 MB
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Moving Rooms

Author : John Harris
File Size : 38.77 MB
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Since at least Tudor times there have been architectural salvages: panelling, chimney pieces, doorways, or any fixtures and fittings might be removed from an old interior to be replaced by more fashionable ones. Not surprisingly a trade developed and architects, builders, masons, and sculptors sought out these salvages. By 1820 there was a growing profession of brokers and dealers in London, and a century later antique shops were commonplace throughout England. This fascinating book documents the break-up, sale, and re-use of salvages in Britain and America, where the fashion for so-called “Period Rooms” became a mainstay of the transatlantic trade. Much appreciated by museum visitors, period rooms have become something of a scholarly embarrassment, as research reveals that many were assembled from a variety of sources. One American embraced the trade as no other--the larger-than-life William Randolph Hearst--who purchased tens of thousands of architectural salvages between 1900 and 1935.

The Invention of the American Art Museum

Author : Kathleen Curran
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American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.

ABM

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File Size : 45.84 MB
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