Search results for: printmaking-revolution

Printmaking Revolution

Author : Dwight Pogue
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A tome of the newest advances in printmaking for today’s environmentally conscious art students, master printers, teachers, and artists Etching, lithography, and screenprinting shouldn’t be harmful to the artist or the planet. With cutting edge, never-before-published advances in printmaking media, Printmaking Revolution provides artists, students, and teachers alike with safer, environmentally friendly and non-carcinogenic methods for creating beautiful prints. Inside, teacher and professional artist, Dwight Pogue offers groundbreaking information on embracing green, petroleum-free, nontoxic materials that comply with the Environmental Protection Agency (EPA) and Occupational Safety and Health Administration (OSHA) requirements. With new alternatives for the modern era, and work by some of today’s most notable artists, including Janet Fish, James Rosenquist Walton Ford, and Louisa Chase, this book truly revolutionizes the techniques, materials, and processes of a time-honored medium.

Printmaking

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Colorful Impressions

Author : National Gallery of Art (U.S.)
File Size : 61.56 MB
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"An indispensable addition to the literature, this informative publication is not only one of very few books available in English on the subject, but it also reproduces for the first time all the featured prints in full colour. Authors examine the history, marketing, and collecting of these prints, as well as the tools, techniques, and papers used in making them."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A Century of Revolution

Author :
File Size : 64.38 MB
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Printmaking Today

Author :
File Size : 68.65 MB
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COLORFUL IMPRESSIONS THE PRINTMAKING REVOLUTION IN EIGHTEENTH CENTURY FRANCE EXHIBITION CATALOGUE

Author : NATIONAL GALLERY OF ART.
File Size : 85.97 MB
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Revolution on Paper

Author : Dawn Ades
File Size : 51.79 MB
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Between 1910 and 1920 Mexico was convulsed by socialist revolution, from which emerged a strong left-wing government that laid great stress on art as a vehicle for promoting revolutionary values. This led to a pioneering programme to cover the walls of public buildings with vast murals and, later, to setting up print workshops to produce works for mass distribution and education. This book is published to accompany the first ever exhibition on this period to be held in Europe, on view at the British Museum from 27 October -- 28 February 2010. It will feature approximately 130 prints by over 40 artists, including the three great men of Mexican art of the period: Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. A fascinating range of material includes not only single-sheet artists' prints but also large posters with designs in woodcut or lithography, as well as illustrated books on many different themes. Also included are earlier works by the popular engraver José Guadalupe Posada, adopted by the revolutionaries as the archetypal printmaker working for the people, and whose macabre dances of skeletons have always fascinated Europeans. Essays by Alison McClean and Dawn Ades will set Mexican printmaking in its artistic and political context. The book will also contain concise biographies of all the artists featured.

Revelation to Revolution

Author : Jolyon Drury
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This biography traces the life of Paul Drury, painter-etcher, and his continuing relationship with his friends from the class of 1921 at Goldsmiths College School of Art. It is also a tale of the close and complicated relationship between Drury and his father, and of their artist friends and colleagues.

Arts Canada

Author :
File Size : 20.35 MB
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Mexico and Modern Printmaking

Author : John W. Ittmann
File Size : 64.51 MB
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Guido Llin s

Author : Guido Llinás
File Size : 84.89 MB
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Chinese Printmaking Today

Author : British Library
File Size : 61.61 MB
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An exhibition at the British Library, 7 November 2003-7 March 2004 in association with the Muban Foundation.

Art Now Gallery Guide

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The Early Modern Painter etcher

Author : Arthur Ross Gallery
File Size : 66.30 MB
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Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.

Tradici n Revista

Author :
File Size : 44.25 MB
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Vermillion Editions Limited

Author : Dennis Michael Jon
File Size : 36.98 MB
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Founded in 1977 by entrepreneur and master printer Steven M. Anderson, Vermillion Editions Limited was a nationally recognized print workshop in the Minneapolis warehouse district and an important part of the 1970s American print renaissance. Anderson collaborated with highly regarded artists of the time, including Jasper Johns, Chuck Close, and Andy Warhol. Lavishly illustrated with prints from renowned Vermillion Editions, this book features photographs of the finished products and documents the process of fine printmaking. Essays describe the history of the printmaking shop and the place of Vermillion Editions within the broader context of American printmaking. This catalogue provides a beautiful and enlightening look at an exceptionally talented printmaker and his inspired work with the heavy hitters of contemporary art in the 1970s. Dennis Michael Jon is associate curator of prints and drawings at The Minneapolis Institute of Arts. Distributed for The Minneapolis Institute of Arts

Manual of Woodcut Printmaking and Related Techniques

Author : Walter Chamberlain
File Size : 29.93 MB
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Journal of the American Institute for Conservation

Author : American Institute for Conservation of Historic and Artistic Works
File Size : 25.11 MB
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Artist s Proof

Author :
File Size : 22.42 MB
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French Genre Painting in the Eighteenth Century

Author : Philip Conisbee
File Size : 76.35 MB
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"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture