The history of the Romantic period is often dominated by the cataclysmic political events that occurred within it The collection is divided into thematically linked sections, each of which is prefaced with brief notes on themes, issues and texts, and lists of books for further study. The dates of the period have been extended at the beginning to provide extracts from texts that frame the ensuing radical debate that arose around the French Revolution and concludes at the Reform Act of 1832, which can be seen as the culmination of the movement for political reform in the latter half of the Romantic period. The division of topic areas within the volumes into specific areas of interest will provide an easy route to negotiate the texts, whereas sections such as 'Women and politics' and 'Colonial politics' will highlight previously neglected areas.

The history of the Romantic period is often dominated by the cataclysmic political events that occurred within it The collection is divided into thematically linked sections, each of which is prefaced with brief notes on themes, issues and texts, and lists of books for further study. The dates of the period have been extended at the beginning to provide extracts from texts that frame the ensuing radical debate that arose around the French Revolution and concludes at the Reform Act of 1832, which can be seen as the culmination of the movement for political reform in the latter half of the Romantic period. The division of topic areas within the volumes into specific areas of interest will provide an easy route to negotiate the texts, whereas sections such as 'Women and politics' and 'Colonial politics' will highlight previously neglected areas.

Survey of satirical poems and prose narratives of the Romantic period, with bibliographical details.

This book illuminates the genesis and development of modern war writing in relation to Romanticism, biopolitics and disciplinary theory.

Lynda Pratt's collection of specially commissioned essays is the first edited volume devoted to the multiple connections between Robert Southey (1774-1843) and English Romantic culture. A major and highly controversial personage in his own day, Southey has until recently been the forgotten member of the Lake School.

Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.

An examination of taverns in the Romantic period, with a particular focus on architecture and the culture of conviviality.

Studies of British Romanticism have traditionally tended to envisage it as an intensely local, indeed insular, phenomenon. Yet, just as the seemingly isolated British Isles became more and more central in international geo-political and economic contexts between the 1780s and the 1830s, so too literature and culture were characterized by an increasingly close and relevant dialogue with foreign and especially Continental European traditions, both past and contemporary. Diego Saglia casts new light on the significantly transformative impact of this dialogue on Britain during the years that saw a return to unimpeded cross-border cultural traffic after the end of the Napoleonic emergency. Focusing on modes of translation and appropriation in a variety of literary and cultural forms, this book reconsiders the notion of the supposed intrinsic insularity of Britain through the lens of new key questions about the national, international and transnational features of Romantic-period literature and culture.

Modern systems of paper money and intellectual property became established in the Romantic period. Matthew Rowlinson shows how a new conception of material artefacts as the bearers of abstract value shaped Romantic conceptions of character, material culture and labour.