Search results for: the-circus-in-the-attic-and-other-stories

The Circus in the Attic

Author : Robert Penn Warren
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Robert Penn Warren s Circus Aesthetic and the Southern Renaissance

Author : Patricia L. Bradley
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The popularity of the circus in the United States reached its zenith in the early 1900s; as the century progressed, the circus gradually came to reflect traditional American values. In this book, Patricia L. Bradley analyzes the extent to which Warren's 1947 novella "The Circus in the Attic" and its use of the circus trope establishes a critical matrix for interpreting his fiction, poetry, essays, and literary criticism.

The Story of Narrative Preaching

Author : Mike Graves
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Forty years ago the one thing that could be said about sermons was they were biblical. Unfortunately, they were sometimes tedious too. Narrative preaching aimed to fix that, advocating for a dynamic experience of the text over against a static lecture. Preaching could be like the parables of Jesus, intriguing and compelling. The Story of Narrative Preaching is the story of seven students who are enrolled in Professor Freeman's preaching course. Once a new trend, narrative preaching is now older than most of them. As Professor Freeman notes, two things went wrong with narrative styles: over time the church became biblically and theologically illiterate, and the promised stress on experience didn't always measure up to the weight of the gospel. Readers are invited to sit in on the class, to reflect on the expositional nature of preaching and to experience the stories of some modern storytellers--Flannery O'Connor, Alice Walker, and others--to see what they might teach us about narratives of depth. In the end we discover what may be the most important word in preaching.

The Circus in the Attic

Author : Robert Penn Warren
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Excerpt from The Circus in the Attic: And Other Stories The new war had not yet become real in the summer of 1917. The bandages prepared at Red Cross meetings in the basement of the St. Luke's parish house or In the Sunday school room of the Baptist Church seemed to have no more importance than the baskets prepared there for the poor be fore Christmas. The tears shed by mothers and sweethearts at the railroad station seemed to be no different from the tears shed when a boy went off to school or college. No armless khaki sleeve had' yet appeared on the streets of Bardsville. So the tumescent, rich, meaningless emotionalism that ached sweetly in the breasts of the middle-aged ladies of the com munity found release and focus in the monument. The United Daughters of the Confederacy, the defenders of ancient pieties and the repositories of ignorance of history, undertook to raise the money. Bardsville had had heroes before, and it would have them again. Soon now. The monument would be an inspiration to the new heroes. So the monument appeared, and was dedicated, and while the mayor made a speech, a platoon of conscripts from a camp up in Kentucky, in untarnished khaki, with slick, scrubbed faces, stood stiffly by with the wooden embarrassment of boys trapped on the platform at high-school commencement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Companion to Southern Literature

Author : Joseph M. Flora
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Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory. Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion’s authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and “Sahara of the Bozart.” As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature. The volume includes an overview of every southern state’s belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South’s lavishly rich literature provides the best means of understanding the region’s deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge. Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents — alphabetical and subject — and a complete index A separate bibliography for most entries

Understanding Robert Penn Warren

Author : James A. Grimshaw
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Grimshaw examines the writer's views about the primacy of self-knowledge and explores the painful and arduous path his protagonists must follow to gain such knowledge and the interrelationship of his artistic endeavors, which were woven together by common thematic concerns - history, time, truth, responsibility, love, hope, and endurance.".

The Circus in the Attic

Author : Robert Penn 1905-1989 Warren
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dixie Limited

Author : Joseph R. Millichap
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In the South, railroads have two meanings: they are an economic force that can sustain a town and they are a metaphor for the process of southern industrialization. Recognizing this duality, Joseph Millichap's Dixie Limited is a detailed reading of the complex and often ambivalent relationships among technology, culture, and literature that railroads represent in selected writers and works of the Southern Renaissance. Tackling such Southern Renaissance giants as Thomas Wolfe, Eudora Welty, Robert Penn Warren, and William Faulkner, Millichap mingles traditional American and Southern studies—in their emphases on literary appreciation and evaluation in terms of national and regional concerns—with contemporary cultural meaning in terms of gender, race, and class. Millichap juxtaposes Faulkner's semi-autobiographical families with Wolfe's fiction, which represents changing attitudes toward the "Southern Other." Faulkner's later fiction is compared to that of Warren, Welty, and Ellison, and Warren's later poetry moves toward the contemporary post-Southernism of Dave Smith. These disparate examples suggest the subject of the final chapter—the continuing search for post-Southern patterns of persistence and change that reiterate, reject, and perhaps reconfigure the Southern Renaissance. As we enter the twenty-first century, that we recall how much the twentieth-century South was shaped by railroads built in the nineteenth century. It is also important that we recognize how much our future will be determined by the technological and cultural tracks we lay.

Preachers and Misfits Prophets and Thieves

Author : G. Lee Ramsey
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In this compelling book, G. Lee Ramsey Jr.mines the riches of southern fiction and discovers a colorful assortment of ministers who arise out of the religious South. At once mystical and mischievous, these ministers haunt the margins of southern life while preaching a gospel that startles and compels. But their oddness is also their appeal--and part of their gift. For through these colorful portraits of Christian ministry, today's readers are challenged to think about what matters in ministry and to re-imagine ministry in ways that bring new life to the church and community. Throughout, Ramsey shows how ministers such as Roger Hagan in Will Campbell's The Conventionand Hazel Motes in Flannery O'Connor's Wise Bloodcan help show us the stumbling blocks to faithful ministry and steer clergy and congregations forward in today's world.

The Dream of Arcady

Author : Lucinda Hardwick MacKethan
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"This is a well-organized, gracefully written account of a significant aspect of Southern fiction, and it contains information and incisive commentary that one can find nowhere else." --Thomas Daniel Young Many southern writers imagined the South as a qualified dream of Arcady. They retained the glow of the golden land as a device to expose or rebuke, to confront or escape the complexities of the actual times in which they lived. The Dream of Arcady examines the work of post-Civil War southern writers who criticize the myth of the South as pastoral paradise. Sooner or later in all their idealized worlds, the idyllic vision fades in an inescapable moment of awakening. This moment, which is central to MacKethan's study, produces an atmosphere pastoral in mood and implications. Her perspective analysis juxtaposes the responses of Sidney Lanier, Joel Chandler Harris, and Thomas Nelson Page, who contributed to yet hope to transcend sectionalism, with the ambivalent views of black writers Charles Chesnutt and Jean Toomer. Considering the writings of the Agrarians, William Faulkner, and Eudora Welty, MacKethan then concludes her study by questioning whether the Arcadian dream still serves the artist of our era as a frame for artistic and ideological purposes.