Search results for: the-romance-of-metaphysics

The Teachers of Fulfillment

Author : Israel Regardie
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The Romance of Metaphysics

Author : Israel Regardie
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This is a new release of the original 1946 edition.

The Romantic Ideal

Author : Christopher Alan Anderson
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The purpose of The Romantic Ideal is to present a definition of romance, one that actually adheres to our hearts and souls. It is the opinion of this writer that romance actually presents to us our highest calling, not religion. But we need an icon, if you will, to believe in, to hold us together when the times get tough, and to bring out the best within us. This icon is the Romantic Ideal. "The light of love, isn't that what romanticism is about? The heart beats full; there is a sparkle in one's eyes. One is filled with the light, literally. Look at any couple in love. The light of their creative balance shines bright. They are radiant. There is a glow about them. They are being bathed in the healing energy of their own love for each other. They are in love, their lives in the harmony of perfect balance." The Romantic Ideal Author Bio: Christopher Alan Anderson (1950 - ) received the basis of his education from the University of Science and Philosophy, Swannanoa, Waynesboro, Virginia. He resides in the transcendental/romantic tradition, that vein of spiritual creativity of the philosopher and poet. His quest has been to define and express an eternal romantic reality from which a man and a woman could together stand in their difference and create a living universe of procreative love. Mr. Anderson began these writings in 1971. The first writings were published in 1985. On a personal note, when Mr. Anderson was asked to describe the writings and what he felt their message was he responded, "Spiritual procreation. Mankind has yet to distinguish the two sexes on the spiritual level. In this failure lies the root of our problems and why we cannot yet touch the eternal together. The message of man and woman balance brings each of us together in love with our eternal other half right now." keywords: Romance, Light, Love, Ideal, Real, Creative Balance, Sexual Metaphysics

The Masses are the Ruling Classes

Author : William Epstein
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The Masses are the Ruling Classes proposes the radical, yet seemingly innocuous view that social policy in the United States is determined by mass consent. Contemporary explanations of decision making in the US typically attribute power over policy making to a variety of hidden forces and illegitimate elites holding the masses innocent of their own problems. Yet the enormous openness of the society and near-universal suffrage sustain democratic consent as more plausible than the alternatives -- conspiracy, propaganda, usurpation, autonomous government, and imperfect pluralism. Contrary to prevailing explanations, government is not either autonomous or out of control, business and wealthy individuals have not usurped control of the nation, large segments of the population are not dispossessed of the vote or of a voice in public affairs, and the media has not formed a conspiracy with Hollywood and liberals to deny Americans their God-given freedoms. Despite the multitude of problems that the nation faces, its citizens are not oppressed. In this pithy yet provocative book, Epstein argues that Democracy in the United States is not progressive but is instead populist, and that the core of the populist ideology is romantic rather than pragmatic.

An Olaf Stapledon Reader

Author : Robert Crossley
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Olaf Stapledon (1886-1950), philosopher, novelist, educator, and social activist had an imagination unlike that of any other figure in modernist literature. Along with H.G. Wells he is remembered as one of the most original and influential pioneers of twentieth-century science fiction. This first broadly inclusive anthology of Stapledon’s work offers a generous sampling of his fictional gems, including sections of his best known novels, Last and First Men, Odd Men, and Star Maker, and the complete text of two novellas, now back in print for the first time in fifty years, The Flames and Old Man in New World, as well as a selection of other writings, some previously unpublished, including essays, poems, and letters. These writings reveal the prophetic vision and utopian convictions that run through Stapledon’s work, and provide the broad context readers need to grasp the scope of his vision and to appreciate his great epic works, which are classics of science fiction.

American Fiction and the Metaphysics of the Grotesque

Author : Dieter Meindl
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By synthesizing Kayser's and Bakhtin's views of the grotesque and Heidegger's philosophy of Being, American Fiction and the Metaphysics of the Grotesque seeks to demonstrate that American fiction from Poe to Pynchon has tried to convey the existential dimension: the pre-individual totality or flow of life, which defines itself against the mind and its linguistic capacity. Dieter Meindl shows how the grotesque, through its self-contradictory nature, has been instrumental in expressing this reality-conception, an antirationalist stance in basic agreement with existential thought. The historical validity of this new metaphysics, which grants precedence to Being--the context of cognition--over the cognizant subject, must be upheld in the face of deconstructive animadversions upon any metaphysics of presence. The notion of decentering the subject, Meindl argues, did not originate with deconstruction. The existential grotesque confirms the protomodernist character of classic American fiction. Meindl traces its course through a number of well-known texts by Melville, James, Gilman, Anderson, Faulkner, and O'Connor, among others. To convey life conceived as motion, these writers had to capture--that is, immobilize--it in their art: an essentially distortive and, therefore, grotesque device. Melville's "Bartleby," dealing with a mort vivant, is the seminal text in this mode of indirectness. As opposed to the existential grotesque, which grants access to a preverbal realm, the linguistic grotesque of postmodern fiction works on the assumption that all reality is referable to language in a textual universe. American Fiction and the Metaphysics of the Grotesque will significantly alter our understanding of certain traditions in American literature.

German Romantic Literature

Author : Ralph Tymms
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Originally published in 1955, this book discusses Romantic principles and their interpretation in literary practice, supported by the documentation (with translations) of numerous quotations from the writings of the romantic authors themselves. The emphasis lies on the evolution of Romantic ideas and practices in Germany, in the establishment and formulation of romantic theory by its first exponents.

The Metaphysics of John Stuart Mill

Author : William Leonard Courtney
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The First Book of the Metaphysics of Aristotle

Author : Aristotle
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Analogia Entis Metaphysics

Author : Erich Pryzwara
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Although Erich Przywara (1889 1972) was one of the preeminent Catholic theologians of his time and a profound influence on such people as Hans Urs von Balthasar and Joseph Ratzinger, he has remained virtually unknown in North America. This volume includes Przywara s groundbreaking Analogia Entis, originally published in 1932, and his subsequent essays on the concept analogia entis -- the analogy between God and creation -- which has currency in philosophical and theological circles today.

The Twentieth Century

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The Nineteenth Century

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Peacock King

Author : A. G. Sire
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The Handbook to Gothic Literature

Author : Marie Mulvey-Roberts
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Some topics and literary figures discussed are: American Gothic, Ambrose Bierce, Charles Dickens, Gothic architecture, Nathaniel Hawthorne, Contemporary Gothic, Occultism, Robert Louis Stevenson, Witches and witchcraft, Spiritualism, Oscar Wilde, Gothic film, Ghost stories, and Edgar Allan Poe.

The Twentieth Century

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New Essays in Metaphysics

Author : Robert Cummings Neville
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This volume displays fifteen of the many lively options in the field of metaphysics. The authors, having finished their formal education in the 1960s or later, belong to the generation of philosophers whose rebellion was against those who thought they saw metaphysics in the grand sense to be passe or impossible. The authors also share a commitment to the importance of metaphysics for the social and cultural life of our time. Despite the diversity of argued opinions on the fundamental array of metaphysical topics, these essays display the zest of a reborn enterprise, at once appropriating a rich and honorable past and moving into new areas only recently thought illegitimate for philosophy.

New Essays in Metaphysics

Author : Robert C. Neville
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This volume displays fifteen of the many lively options in the field of metaphysics. The authors, having finished their formal education in the 1960s or later, belong to the generation of philosophers whose rebellion was against those who thought they saw metaphysics in the grand sense to be passe or impossible. The authors also share a commitment to the importance of metaphysics for the social and cultural life of our time. Despite the diversity of argued opinions on the fundamental array of metaphysical topics, these essays display the zest of a reborn enterprise, at once appropriating a rich and honorable past and moving into new areas only recently thought illegitimate for philosophy.

Studies in the Romance Languages and Literatures

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Scandal

Author : Amanda Quick
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From a stately country house in Hampshire to the dazzling drawing rooms of London society comes an exquisite tale of an elfin beauty, a vengeful lord, and a wild, sweet love that is sheer poetry. With her reputation forever tarnished by a youthful indiscretion, lovely Emily Faringdon is resigned to a life of spinsterhood–until she embarks on an unusual correspondence and finds herself falling head over heels in love. Sensitive, intelligent, and high-minded, her noble pen pal seems to embody everything Emily has ever dreamed of in a man. But Simon Augustus Traherne, the mysterious Earl of Blade, is not at all what he seems. Driven by dark, smoldering passions and a tragic secret buried deep within his soul, Blade has all of London cowering at his feet, but not Emily . . . never Emily. For even as she surrenders to his seductive charms, she knows the real reason for his amorous suit. And she knows that she must reach the heart of this golden-eyed dragon before the avenging demons of their entwined pasts destroy the only love she has ever known.

Romantic Irony

Author : Frederick Garber
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This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding “syntheses” treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater – innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.