Search results for: the-tain-of-the-mirror

The Tain of the Mirror

Author : Rodolphe Gasché
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Deconstruction is no game of mirrors, revealing the text as a play of surface against surface. Its more radical philosophical effort is to get behind the mirror and question the very nature of reflection. The Tain of the Mirror explores that gritty surface without which no reflection would be possible.

The Tain of the Mirror

Author : Rodolphe Gasché
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Deconstruction is no game of mirrors, revealing the text as a play of surface against surface. Its more radical philosophical effort is to get behind the mirror and question the very nature of reflection. "The Tain of the Mirror" (tain names the tinfoil, or lusterless back of the mirror) explores that gritty surface without which no reflection would be possible. Gasche does what no one has done before in many discussions of Derrida, namely to tie his work in an authoritative way to its origins in the history of the criticism of reflexivity. -- Back cover.

The Tain of Hamlet

Author : Laurie Johnson
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Shakespeare's Hamlet is considered by many to be the cornerstone of the English literary canon, a play that remains universally relevant. Yet it seems likely that we have spent so long reading the play for its capacity to reflect ourselves that we have lost sight of the thing itself. The goal of this book is to look beyond the Hamlet that has bedazzled critics for centuries, to seek to apprehend the play in all of its historical distinctness. This is not simply the search for what the play me...

The Mirror

Author : Sabine Melchior-Bonnet
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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

The Limits of Disenchantment

Author : Peter Dews
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In this book Peter Dews explores some of the most urgent problems confronting contemporary European thought: the status of the subject after postmodernism, the ethical and existential dimensions of critical theory, the encounter between psychoanalysis and philosophy, and the possibilities of a non-foundational metaphysical thinking. His approach cuts across the hostile boundaries which that usually separate different theoretical traditions. Lacan and the Frankfurt School are brought into dialogue, as are deconstruction and Ricoeur's hermeneutics. Current questions of language, communication and critique are located in a broader context, as the author ranges back over the history of modern philosophy, from poststructuralism—via Nietzsche—to German romanticism and idealism. A wide variety of issues is discussed in the book, including Habermas's views on the ethics of nature, Lacan's theory of Oedipal crisis, the relation between writing and the lifeworld in Derrida, and Schelling's philosophy of the "Ages of the World." The volume is also enlivened by forceful critiques of a range of currently influential thinkers, including Michel Foucault, Richard Rorty, Rodolphe Gasché and Slavoj Zizek.


Author : Mark C. Taylor
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In Tears, the author explores theoretical issues raised by the intersection of philosophy, literature, art, architecture, and theology. The critical accounts of thinkers like Derrida, Blanchot, Jabès, Kierkegaard, Hegel, Heidegger, Ricoeur, Gadamer, Austin, Ayre, Rorty, Tillich, Barth, and Altizer developed in this book effectively reshape and refocus the terms of current debate.

The Little Crystalline Seed

Author : Iddo Dickmann
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Shows how contemporary French philosophy adopted this literary paradigm and argues for its significance for addressing concerns in ethics, ontology, and aesthetics. Mise en abyme is a term developed from literary theory denoting a work that doubles itself within itself—a story placed within a story or a play within a play. The term flourished in experimental fiction in midcentury France, having not only a strong impact on contemporary literary theory but also on post-structuralist philosophy. The Little Crystalline Seed focuses on how thinkers invoke the concept of mise en abyme in order to establish ontologies that deviate from that of Heidegger. Iddo Dickmann demonstrates how the concept served in modeling Jacques Derrida’s logic of supplementarity; Maurice Blanchot’s mechanism of désouvrement; Gilles Deleuze’s philosophy of repetition; Emmanuel Levinas’s concept of “proximity,” and in further circuit: the philosophies of Bergson, Kant, Leibniz, Heidegger himself, and more. Exploring the interpretative and generative potential of the mise en abyme for continental thought, Dickmann reveals new points of resonance between various philosophical topics including, aesthetics, ethics, time, logic, mirroring, play, and signification. Iddo Dickmann is Lecturer in Jewish Thought, Culture, and Literature at the University of Colorado Boulder.

Two Way Mirror

Author : Fiona Sampson
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Shortlisted for the 2022 Plutarch Award A Washington Post 2021 Non-Fiction Book of the Year New York Times Review of Books Editors' Choice Non-Fiction Title Longlisted for the 2022 PEN / Jacqueline Bograd Weld Award for Biography A Sunday Times Best Paperback of 2022 'Brilliant, heart-stopping ... reads like a thriller, a memoir and a provocative piece of literary fiction all at the same time ... magical and compelling' Washington Post 'How do I love thee? Let me count the ways,' Elizabeth Barrett Browning famously wrote, shortly before defying her family by running away to Italy with Robert Browning. But behind the romance of her extraordinary life stands a thoroughly modern figure, who remains an electrifying study in self-invention. Elizabeth was born in 1806, a time when women could neither attend university nor vote, and yet she achieved lasting literary fame. She remains Britain's greatest woman poet, whose work has inspired writers from Emily Dickinson to George Eliot and Virginia Woolf. This vividly written biography, the first full study for over thirty years, incorporates recent archival discoveries to reveal the woman herself: a literary giant and a high-profile activist for the abolition of slavery who believed herself to be of mixed heritage; and a writer who defied chronic illness and long-term disability to change the course of cultural history. It holds up a mirror to the woman, her art - and the art of biography itself.

Festivals of Interpretation

Author : Kathleen Wright
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This book engages and clarifies concepts crucial to Hans-Georg Gadamer's philosophical hermeneutics, including the concepts of effective-history, tradition, dialogue, and language. Festivals of Interpretation exhibits the universal scope of hermeneutics. The authors respond to three questions often raised about Gadamer's philosophical hermeneutics. Part One takes up the question of how Gadamer understands truth. It discusses how hermeneutical truth relates to methods, how truth may be thought to be historically conditioned without at the same time being relative, and how a truthful interpretation can produce a new understanding while simultaneously remaining faithful to the text. Part Two brings out the political, legal, and social relevance of Gadamer's philosophical hermeneutics by focusing on the role interpretation plays in times of political crisis, of disputes in Constitutional law, of changing ideas of societal needs such as health care, and of increased technological control of public opinion. The last question often asked about Gadamer's work concerns its relation to poetry. Part Three treats the challenge posed to philosophy by poetry in general and particularly by the poetry of Paul Celan as well as questions raised recently by Jacques Derrida about different ways of thinking about interpretation and text.

For They Know Not what They Do

Author : Slavoj Žižek
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With the disintegration of state socialism, we are witnessing this eruption of enjoymnet in the re-emergence of aggressive nationalism and racism. With the lid of repression lifted, the desires that have emerged are from from democratic. To explain this apparent paradox, says Slavoj Zizek, socialist critical thought must turn to psychoanalysis. For They Know Not What They Do seeks to understand the status of enjoyment within ideological discourse, from Hegel through Lacan to these political and ideological deadlocks. The author's own enjoyment of "popular culture" makes this an engaging and lucid exposition, in which Hegel joins hands with Rossellini, Marx with Hitchcock, Lacan with Frankenstein, high theory with Hollywood melodrama.