Search results for: three-colours-trilogy

The Three Colours Trilogy

Author : Geoff Andrew
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Three Colours Trilogy

Author : Krzysztof Kieślowski
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The screenplays of Kieslowski's trilogy of films based on the French tricolor and its motto, Liberty, Equality and Fraternity, which he made at a time when his homeland, Poland, was shaking off the chains of Soviet domination.

The Three Colours Trilogy 1993 94

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Krzysztof Kieslowski's multi award winning trilogy is a landmark of world cinema. 'Three Colours Blue', 'White' and 'Red' have been acclaimed as master- pieces by critics and audiences the world over. The films, co-written by Kieslowski and Krzysztof Piesiewicz, with whom he also wrote the epic 'Dekalog' cycle, explore the French Revolutionary ideals of freedom, equality and brotherhood, and their relevance to the contemporary world.

Blue white red

Author : Zbigniew Preisner
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(Music Sales America). A selection of original music from the 'Three Colours' movie trilogy, arranged for solo piano.

Blue white red

Author : Zbigniew Preisner
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(Music Sales America). A selection of original music from the 'Three Colours' movie trilogy, arranged for solo piano.

Zbigniew Preisner s Three Colors Trilogy Blue White Red

Author : Nicholas W. Reyland
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Director Krzysztof Kieslowski's Three Colors trilogy—Blue (1993), White (1993), and Red (1994)—is one of the great achievements of European film. A meditation on liberty, equality, and fraternity, these three films marked the culmination of the director's career, as well as the zenith of one of the most important creative collaborations in 20th-century cinema-between Kieslowski, scriptwriter Krzysztof Piesiewicz, and composer Zbigniew Preisner. Thanks to their close working relationship, music for the Three Colors trilogy achieves both a focal narrative and philosophical function. At times, Preisner's music advances the narrative independently of the films' other codes; at other times, it creates a metaphorical space into which the audience is invited in order to read for "deeper" messages. As the first major scholarly treatment of Preisner's music, Nicholas Reyland's Zbigniew Preisner's Three Colors Trilogy: A Film Score Guide fills an important void in film score scholarship. In this guide, Reyland analyzes the historical context of the film scores, the life of the composer, the hermeneutic and narrative role of the music within the film, and the musical scoring techniques used for the trilogy. This volume also draws on an interplay of established "classic" approaches to analyzing film music and more recent approaches in the exploration of its themes and readings. In addition, the composer's willingness to be interviewed by Reyland enhances the musicological scholarship of this book, giving the reader privileged access into the process of scoring. A significant contribution to both film studies and musicological literature, this book celebrates one of the great cinematic achievements of the last few decades.

Krzysztof Kieslowski

Author : Monika Maurer
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New guide to the life and work of Krzysztof,Kielowski, director of the 'three Colours Trilogy',and a self-confessed pessimist who didn't like,films, thought the camera was ""stupid"" a felt he,had no talent. Yet he wrote and directed,some of the most moving and memorable films of the,last twenty years. Covers every film in detail, as,well as an essay introducing his life and work,and includes a multi-media reference for those who,want to find out more about one of the,acknowledged masters of cinema.

The Cinema of Krzysztof Kie lowski

Author : Marek Haltof
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Since his death in 1996, Krzysztof Kieslowski has remained the best-known contemporary Polish filmmaker and one of the most popular and respected European directors, internationally renowned for his ambitious Decalogue and Three Colors trilogy. In this new addition to the Directors'Cuts series, Marek Haltof provides a comprehensive study of Kieslowski's cinema, discussing industrial practices in Poland and stressing that the director did not fit the traditional image of a "great" East-Central European auteur. He draws a fascinating portrait of the stridently independent director's work, noting that Kieslowski was not afraid to express unpopular views in film or in life. Haltof also shows how the director's work remains unique in the context of Polish documentary and narrative cinema.

Double Lives Second Chances

Author : Annette Insdorf
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"First published in 1999 by Talk Miramax Books."

Theological Interpretation of Culture in Post Communist Context

Author : Ivana Noble
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Twenty years after the fall of Communism in Central and East Europe is an ocassion to reevaluate the cultural and theological contribution from that region to the secularization - post-secularization debate. Czech theologian Ivana Noble develops a Trinitarian theology through a close dialogue with literature, music and film, which formed not only alternatives to totalitarian ideologies, but also followed the loss and reappeareance of belief in God. Noble explains that, by listening to the artists, the churches and theologians can deal with questions about the nature of the world, memory and ultimate fulfilment in a more nuanced way. Then, as partakers in the search undertaken by their secular and post-secular contemporaries, theologians can penetrate a new depth of meaning, sending out shoots from the stump of Christian symbolism. Drawing on the rich cultures of Central and East Europe and both Western and Eastern theological traditions, this book presents a theological reading of contemporary culture which is important not just for post-Communist countries but for all who are engaged in the debate on the boundaries between theology, politics and arts.

Cinema s Missing Children

Author : Emma Wilson
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Photographs of missing children are some of the most haunting images of contemporary Western society. Wilson contends that the loss of a child is perceived as a limit-experience in contemporary cinema, where filmmakers attempt to transform their means of representation as a response to acute pain and horror. She explores the representation of missing and endangered children in a number of the key films of the last decade, including Kieslowski's Three Colours: Blue, Atom Egoyan's Exotica, Todd Solondz's Happiness, Jane Campion's The Portrait of a Lady, Lars von Trier's The Kingdom, and Almodovar's All About My Mother.

Deleuze and Film Music

Author : Gregg Redner
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The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film Music also offers a solution—a methodological bridge—that will take film music analysis to a new level.

Cinema Today

Author : Edward Buscombe
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Fully illustrated with over 700 images including film stills, posters and behind-the-scenes shots, this book also features in-depth case studies on a wide range of films. Cinema Today provides an unparalleled insight into the heart of the film industry.

Making Pictures

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Film-making is a collaborative business and, when it comes to the way a filmooks, the critical relationship is that between the director and theinematographer - now often called the director of photography - whose rolen the enterprise is too often undervalued, if not wholly overlooked. Yet, ashis book shows, the cinematographer's contribution to many great movies haseen both vital and distinctive, and director-cinematographer partnerships,uch as those between David Lean and Freddie Young or Ingmar Bergman and Svenykvist, have played a significant role in the history of the cinema.;Thisook systematically examines and documents the technical and creative role ofhe cinematographer in European cinema over the past 100 years. It has beenompiled under the aegis of the Association of European CinematographersImago) and the contributors include many distinguished figures in Europeaninema history such as the director Bernardo Bertolucci, the actor Marcelloastroianni, cinematographers Sven Nykvist, Jack Cardiff and Giuseppe Rotunnond a number of leading film historians. Individual contributions cover a

New Statesman Society

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The Director s Vision

Author : Geoff Andrew
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Examines the visual styles of directors

The Producers

Author : Tim Adler
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Tim Adler introduces us to the mavericks and adventurers of modern-day cinema, in candid interviews with Michael Douglas (a producer who became an actor by mistake), Dino De Laurentiis (last of the great moguls), Duncan Kenworthy and Andrew McDonald (Notting Hill, 28 Days Later), Jeremy Thomas, Marin Karmitz and Christine Vachon. Through them Adler explains the history of some of the most successful films of the last three decades, and looks at the skill and experience, the showmanship and the money necessary to survive in the world's toughest business.

Canadian Journal of Film Studies

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French Cinema in the 1990s

Author : Phil Powrie
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The first collection of essays by UK and USA academics working in French cinema studies on French cinema in the 1990s. There are twenty-one chapters, fifteen of which focus on one film each. Issues covered are genre (the changing heritage film), gender and ethnic issues, community, and national cinema.

The Wire

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