The literature of the various regions of Lusophone Africa has received relatively little critical attention compared with that which has been focused on the work of writers in the English- and French- speaking countries of Africa. With the profound changes which are occurring in the social and political structures of Lusophone Africa, there is particular need for the comprehensive look at Afro-Protuguese literature which this account provides. Professor Hamilton traces the development of this literature in the broad perspective of it social, cultural, and aesthetic context. He discusses the whole of the Afro-Portuguese literary phenomenon, as it occurs on the Cape Verde archipelago, in Guinea-Bissau, on the Guinea Gulf islands of Sao Tome and Principe, in Angola, and in Mozambique. In an introduction he discusses some basic questions about Afro-Protuguese literature, among them, the matter of a definition of this body of writing, the implications of the concept of negritude, the role of Portugal and Brazil in Afro-Portuguese literature, and the social and cultural significance of the dominant literary themes found in the various regions of Lusophone Africa. Because he sees the regionalist movement in Angola as the most significant in terms of a neo-African orientation, he begins the book with an extensive study of the literature of that country. Many examples of afro-Portuguese poetry are given, both in the original language and in the English translation. There is a bibliography, and a map shows the African regions of study.

A gripping Roman adventure told by a young North African girl who sets out on a danger-filled journey to Britain. When, Camilla, a young North African girl travels with her mother and father from Leptis Magna to Rome in 207 AD, she believes that she is going to the centre of the world. But just a few months later, the little family is dispatched to the very edge of it: Britannica. Tragedy strikes and, left alone with the Empress while her father travels north, Camilla has to navigate the tricky world of of secrets and danger in this cold place she must now call home. In this heart-stopping adventure based on real historical events, Leila Rasheed shows us a dangerous and intriguing time in Britain that's sure to fascinate young readers. VOICES: A thrilling series showcasing some of the UK's finest writers for young people. Voices reflects the authentic, unsung stories of our past. Each shows that, even in times of great upheaval, a myriad of people have arrived on this island and made a home for themselves – from Roman times to the present day.

China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.

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The Economics of Empire: Genealogies of Capital and the Colonial Encounter is a multi-disciplinary intervention into postcolonial theory that constructs and theorizes a political economy of empire. This comprehensive collection traces the financial genealogies associated with the colonial enterprise, the strategies of economic precarity, the pedigrees of capital, and the narratives of exploitation that underlay and determined the course of modern history. One of the first attempts to take this approach in postcolonial studies, the book seeks to sketch the commensal relation—a symbiotic "phoresy"—between capitalism and colonialism, reading them as linked structures that carried and sustained each other through and across the modern era. The scholars represented here are all postcolonial critics working in a range of disciplines, including Political Science, Sociology, History, Peace and Conflict Studies, Legal Studies, and Literary Criticism, exploring the connections between empire and capital, and the historical and political implications of that structural hinge. Each author engages existing postcolonial and poststructuralist theory and criticism while bridging it over to research and analytic lenses less frequently engaged by postcolonial critics. In so doing, they devise novel intersectional and interdisciplinary frameworks through which to produce more greatly nuanced understandings of imperialism, capitalism, and their inextricable relation, ‘new’ postcolonial critiques of empire for the 21st century. This book will be an excellent resource for students and researchers of Postcolonial Studies, Literature, History, Sociology, Economics, Political Science and International Studies, among others.

From his premature death in 1919 until the final decades of the twentieth century, the French traveller, author, and naval doctor Victor Segalen remained relatively obscure, his extensive work on exoticism largely unavailable. With the appearance of the Complete Works in 1995, the dramatic scope and wide-ranging implications of his reflections on diversity were at last fully apparent. Segalen's understanding of the exotic is radically different from that of his colonial contemporaries. His exoticism - or Aesthetics of Diversity - focuses on the instability of contact between different cultures and represents a unique response to the decline of diversity triggered by colonialism and Westernization. Recent attention to Segalen in a variety of fields - post-modern sociology, post-colonialism, literary criticism, anthropology - indicates his role as a precursory theorist of the exotic whose work is of increasing contemporary relevance. At a moment when exoticism is rapidly emerging as a term of critical currency, this study of the genesis of Segalen's aesthetics is a timely contribution to work in this area.

In a long-planned, perfectly executed coup, the Academies of Eloesus overthrow the Imperial government and transport a foreign army to the Empire's shores, intending to remake the nation according to their utopian vision. As cities fall and the nation slips toward certain annihilation, the lone voice of Imperium calls out for a renewed rise of an empire, and a deluge of traitors' blood. The fifth and final novel of the Imperial Chronicles series, which began in Unconquered Son.

The dead refuse to stay dead. The Reaper is here to put them down. As winter sets in and America’s survivors struggle to rebuild a semblance of civilization, terrifying new enemies are gathering—both in the lawless badlands and within the walls of the safe zone. Most fearsome of all is the “King of the Dead.” His zombified troupe of sideshow curiosities is but a fraction of his growing pack. The Reaper’s quest to safeguard the humans he has befriended places him on the trail of these feral undead. But he is sorely unprepared for the return of the zombie transformed by his own flesh, the Omega—a fiend driven by something more sinister than any virus. Meanwhile, Death’s questions about his origin haunt him, and he is close to the answers... but the worst of both the living and the dead are rising in his path, and he’ll have to cut them all down to reach the cosmic endgame.