Consists chiefly of excerpts from the Badger State banner, Black River Falls, Wis., for the years 1885-1900 and of photos. taken by Charles Van Schaick from 1890 to 1910.

Consists chiefly of excerpts from the Badger State banner, Black River Falls, Wis., for the years 1885-1900 and of photos. taken by Charles Van Schaick from 1890 to 1910.

The cursed village of Ewerton, Wisconsin is one of the great "bad places" in weird literature: a town that's just thoroughly bad to the bone--evil and dark and full of human suffering. And now A. R. Morlan returns to the scene of her classic horror novels, The Amulet and Dark Journey, with 25 horrific tales of men and women pushed beyond the limits of endurance. As Ardath Mayhar says: "The horror she evokes is not so much occult as uniquely human. The worst of human traits are her stock in trade. The hints of otherworldly elements are used in just the right proportions to make one shiver." And Robert Reginald states: "She drives the stake of horror right through the center of your quivering heart!

Popular public radio show host Michael Feldman and coauthor Diana Cook introduce Wisconsin's weirdest, wackiest, and most outrageous people, places, and things including a man who owes his life to a foam rubber cheesehead, a worm that plays basketball, and the best place to savor chicken in a hubcap.

A landmark volume explores photographer Henry Hamilton Bennett's many-layered relationship with Wisconsin Dells Native peoples, the Ho-Chunk, places Bennett within the context of contemporary artists and photographers of American Indians, and examines the reception of this legacy by the Ho-Chunk. Simultaneous.

The need to personalize our surroundings is a defining human characteristic. For some this need becomes a compulsion to transform their personal surroundings into works of art. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, has undertaken the mission to preserve these environments, which are presented for the first time in Sublime Spaces and Visionary Worlds. This colorful and inspiring book features the work of twenty-two vernacular artists whose locales, personal histories, and reasons for art-making vary widely but who all share a powerful connection to the home as art. Featured projects range from art environments that remain intact, such as Simon Rodia's Watts Towers in California, tosites lost over the years such as Emery Blagdon's six hundred elaborate "Healing Machines," made of copper, aluminum, tinfoil, magnets, ribbons, farm-machinery parts, painted light bulbs, beads, coffee-can lids, and more. Sublime Spaces and Visionary Worlds is the first book to explore these spectacularly offbeat spaces in detail.From "Original Rhinestone Cowboy" Loy Bowlin's wall-to-wall glitter-and-foil living room to the concrete bestiary of "witch of Fox Point" Mary Nohl, each artist and project is described in detail through a wealth of visuals and text. Sublime Spaces and Visionary Worlds reminds us that our decorative choices tell the world not just what we like but who we are.

How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.

Updated and even weirder, this new edition boasts more than 400 unique destinations for tourists looking for attractions off the beaten path. Bizarre locations and landmarks include Chainsaw Gordy’s Garden of Saws, Smokey Bear’s head, the World’s Largest Soup Kettle, the Toilet Bowl Parade, and the world’s only upside-down White House. This book offers fascinating and little-known historical tidbits and answers burning questions such as Where was Liberace born? What is a hodag, and how do you catch one? Who invented the hamburger? and Will a Polka Hall of Fame ever be built? This is the real guide to Wisconsin, birthplace of the snowmobile, the typewriter, and the ice cream sundae. The address, phone number, hours, cost, directions, and website of each oddity accompany its description.

Providing a fresh angle on adaptation studies, this study looks at how avant-garde directors and filmmakers have treated literary works in distinct ways.

This first-ever encyclopedia of the Midwest seeks to embrace this large and diverse area, to give it voice, and help define its distinctive character. Organized by topic, it encourages readers to reflect upon the region as a whole. Each section moves from the general to the specific, covering broad themes in longer introductory essays, filling in the details in the shorter entries that follow. There are portraits of each of the region's twelve states, followed by entries on society and culture, community and social life, economy and technology, and public life. The book offers a wealth of information about the region's surprising ethnic diversity -- a vast array of foods, languages, styles, religions, and customs -- plus well-informed essays on the region's history, culture and values, and conflicts. A site of ideas and innovations, reforms and revivals, and social and physical extremes, the Midwest emerges as a place of great complexity, signal importance, and continual fascination.

People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls, Wisconsin studio photographer, Charles Van Schaick. The family relationships between those who “sat for the photographer” are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, “A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives.” The book includes three introductory essays (a biographical essay by Matthew Daniel Mason, a critical essay by Amy Lonetree, and a reflection by Tom Jones) and 300-plus duotone photographs and captions in gallery style. Unique to the project are the identifications in the captions, which were researched over many years with the help of tribal members and genealogists, and include both English and Ho-Chunk names.

A look into the disturbing but fascinating new field of bio-recovery, as a critically acclaimed crime writer rolls up his sleeves and delves into the world of Aftermath, Inc. The best way to understand the world of Aftermath, Inc. is to imagine life before it. Grief-stricken families of suicide or homicide victims were left to cope on their own. Sometimes police would leave a can of ground coffee behind to soak up the mess. Sometimes local church groups offered to help with the horrific chaos of the scene. Into this void stepped Tim Reifsteck and Chris Wilson, who filled a desperate need by founding their bio-remediation company. Gil Reavill traces their history, introducing us to their clients and employees, and the cops, coroners, and detectives they encounter in their work. Their stories are stranger than fiction, and utterly human and compelling.

Contributor Martin Padget's essay: Native Americans, the Photobook and the Southwest: Ansel Adams' and Mary Austin's Taos Pueblo was awarded the 2010 Arthur Miller Essay Prize. This book offers a collection of essays on the interface between literature and photography, as exemplified in important North American texts.

Washtenaw County has a dark and sordid history, filled with unexplained murders and vicious crimes. Venture into the dead of night with medical students from the University of Michigan as they snatch bodies from fresh graves. Discover how Irene Walling Smith, born and raised in Ypsilanti, became known as the "Bandit Queen" of the despicable Kozak Gang. Head back to Ann Arbor in 1878, when Howard Williams was found dead in his home with an empty bottle of morphine by his sidewas it murder, suicide or overdose? Revisit the puzzling details of the unsolved 1913 murder of seventy-three-year-old Elizabeth Stapish, something of an eccentric in Chelsea, who was strangled and buried under a pile of cornhusks in her barn. Join local history author and columnist James Mann as he reveals the enigmatic history of this Michigan county.